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Métalepse et histoire littéraire
The question of metalepsis as a narrative device was raised early on by Gérard Genette, but in the absence of a stable model, the concept gave rise to a proliferation of taxonomies that undoubtedly rendered it unworkable as a teaching tool. Based on this
Marc Marti
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A Theory of Impossible Worlds (Metalepsis)
The purpose of this work is threefold: First, to develop a textual model of literary genres based on generic categories, natural and elemental, capable of being applied to all literary texts, existing or imaginable; second, to attempt to explain the relation between literary genres and fictionality, to show that there are fictional and non-fictional ...
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Genomic Contextualism: Shifting the Rhetoric of Genetic Exceptionalism. [PDF]
Garrison NA +3 more
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Dentro, fuera. En torno a la poliédrica reflexividad de «El prodigio» ("The Wonder", S. Lelio, 2022)
El presente artículo se plantea como objetivo principal identificar los distintos gestos reflexivos de El prodigio (The Wonder, S. Lelio, 2022) y valorar su función discursiva.
Enric Antoni Burgos Ramírez
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Construcciones difusas de la identidad: el caso del Lazarillo de Tormes y la Velocidad de la luz de Javier Cercas [PDF]
Resumen: El presente artículo analiza la problemática de aquellos textos narrativos de naturaleza autoficcional en los cuales las distintas instancias enunciativas aparecen entrecruzadas y en ocasiones fusionadas, poniendo como ejemplos el Lazarillo de ...
Calzón García, José Antonio
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Insects attracted to Maple Sap: Observations from Prince Edward Island, Canada. [PDF]
Majka CG.
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Apophrades, Adonais, and the return of the Shelleys [PDF]
This chapter returns to Harold Bloom’s theory of the anxiety of influence, and in particular his notion of apophrades. It does so in the context of a reading of P. B. Shelley’s elegy to John Keats, Adonais.
Allen, Graham
core
"I had the strangest week ever!" Metalepsis in music videos [PDF]
Keazor, Henry
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And Gérard Genette invented metalepsis
Cet article propose de revenir à la très influente théorie de la métalepse, élaborée par Gérard Genette entre 1972 et 2004. Est mis en valeur et discuté l’élargissement progressif de la notion auquel Genette procède, à la faveur du passage de la narratologie aux théories de la fiction et de l’adoption d’une perspective intermédiale.
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