Results 81 to 90 of about 4,255 (167)
Small Things Like These and the Novella as Intervention
Claire Keegan’s Small Things Like These transforms the novella form into a moral and formal intervention that exposes Ireland’s enduring complicity in the Magdalene Laundries.
Donna Lynn Tillotson
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The task of this article is to situate the Codex Seraphinianus in a series of multiple frames, not least of which being that of the teratological (following Italo Calvino), but also that of the pre-linguistic or post-writing frame of asemic text.
Kane Faucher
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Aux frontières de la fiction : l’avatar comme opérateur de réflexivité
Whether considered as an activity (play) or as an object (game), video games are marked by reflexivity: playing requires the adoption of a distanciated and metacommunicative attitude, and video games use a plethora of metadiscursive processes (metalepsis,
Fanny Barnabé, Julie Delbouille
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Philosophical and linguistic approaches to the logical challenge with autofiction in J. Cercas and Pérez-Reverte´s texts [PDF]
Resumen: El artículo, tomando como punto de partida algunos textos de y sobre Javier Cercas y Arturo Pérez-Reverte, analiza los problemas lógicos subyacentes en los relatos autoficcionales, utilizando distintas herramientas ?lógica difusa, teoría de ...
Calzón García, José Antonio
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GENRE PECULIARITIES OF H. L. OLDIE’S “SHERLOCK HOLMES VS. MARTIANS”: BETWEEN MASHUP AND CROSSOVER
As mass culture becomes an important part of the contemporary literary process, one cannot ignore it. New forms and genres of mass literature and culture could often be regarded as reaction to the changes in the social and public life.
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Playing with Identity. Authors, Narrators, Avatars, and Players in The Stanley Parable and The Beginner’s Guide [PDF]
This article offers a comparative analysis of Davey Wreden’s The Stanley Parable (Wreden 2011 / Galactic Cafe 2013) and The Beginner’s Guide (Everything Unlimited Ltd.
Backe, Hans-Joachim, Thon, Jan-Noël
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Metalepsis, Grief, and Narrative in Aeneid 2 [PDF]
This chapter investigates the emotional function of metalepsis by considering the case of Virgil, Aeneid 2, a book which combines intense emotion with great narrative complexity. Analysing multiple metaleptic features in the book, it offers a model for reading emotional intensity in terms of immersion and alienation, and concludes that metalepsis may ...
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Hiperencuadre / Hiperrelato : apuntes para una narratología del film postclásico [PDF]
El discurso cinematográfico no ha dejado de luchar por adaptarse y competir con las pantallas rivales que le han surgido con la revolución digital, lo cual ha transformado su propia textura.
Palao Errando, Jose Antonio
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Vacíos del ser y del saber en el Quijote [PDF]
Desde la ambigua postura cervantina hacia la verosimilitud, el Quijote está invadido de vacíos, imposibilidades, paradojas y metalepsis que desempeñan una función profundamente creativa en la novela. En este ensayo se explora cómo Cervantes, valiéndose
Hutchinson, S. (Steven)
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Composition and metalepsis in Tristram Shandy
Three closely interrelated features of Laurence Sterne's novel "Tristram Shandy" are examined : the central event which constitutes the work as a text with a subject, the rhetorical figures which contribute to the structuring of the discourses of two of the principal characters and the metaleptic quality of the narrator's discourse.
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