Results 81 to 90 of about 5,068 (212)

Autor, realitat i ficció en la narrativa de Jordi Sarsanedas [PDF]

, 2013
L’article analitza el tractament de la figura de l’autor real en els reculls de narracions de Jordi Sarsanedas. En el primer, «Mites», el prefaci auctorial ha estat interpretat en clau autobiogràfica, a pesar de l’absència de marques explícites, de la ...
Gregori Soldevila, Carme
core   +3 more sources

metalepsis

, 2018
From a functional point of view, metalepsis can be defined as the shift of a figure within a text (usually a character or a narrator) from one narrative level to another, marking a trangression of ontological borders. This procedure makes the reader or addressee aware of the fictional status of a text and ensures the maintenance of a specifically ...
openaire   +1 more source

Introduction: The persistence of Kafka in a metamorphosing world

The German Quarterly, Volume 97, Issue 4, Page 522-525, Fall 2024.
Imke Meyer
wiley   +1 more source

Mundos imposibles: autoficción

Actio Nova, 2016
En este artículo se tratan de explicar la autoficción (que se produce en las obras literarias en las que el autor real experimenta sucesos ficticios, ya sean verosímiles o inverosímiles) como una ruptura de la lógica ficcional (metalepsis), con la ...
Alfonso Martín Jiménez
doaj  

Figures of Violence in Ron Rash’s The World Made Straight

Sillages Critiques, 2017
In The World Made Straight, Ron Rash’s writing, faithfully anchored in the Appalachian territory, takes the form of a temporal maelstrom, in which times reverberate and history mingles with stories.
Frédérique Spill
doaj   +1 more source

“And he adjusted himself to them not falling”, A Reading of Oracle Night

Revue LISA, 2020
This paper addresses Paul Auster’s Oracle Night (2004) through the lens of storyworld theories. This approach seeks to reveal the transfictional and metaleptic dimensions of the novel while also analyzing recurrent Austerian motifs such as the figure of ...
Antoine Dechêne
doaj   +1 more source

An I for an I: Reading Fictional Autobiography [PDF]

, 2009
The distinction between author and narrator is central to narratology, and to modern literary criticism in general. Why is it that ancient critics seem so often to ignore it, and to confuse the narrator's words with authorial autobiography?
Whitmarsh, Tim
core   +1 more source

Dan Brown: Morphology of a Bestsellersaurus

Enthymema, 2015
Dan Brown’s success finds reasons in multiple factors, social, morphological, cognitive and commercial: the cross-medial restructuring of aesthetic communication on a global scale; the use of zero-sum homeostatic mechanisms in shaping themes, characters ...
Stefano Calabrese, Roberto Rossi
doaj   +1 more source

La inevitable pareja: Paralelismo y feminidad literaria en el cine español de la democracia [PDF]

, 2014
En este artículo se estudia cómo el uso del paralelismo contribuye a afianzar ciertas características literarias consideradas típicamente femeninas dentro del imaginario cultural colectivo durante la España de la democracia.
Senís Fernández, Juan
core   +1 more source

The Idyllic as a Symptom (in the Narrative Structure of Texts of Slovak Literary Realism) [PDF]

Slovenska Literatura, 2018
The study aims to approach the idyllic within the context of realistic representation not as a category represented by strictly specified group of idyllic means of expression but rather a stylistic layer in which variability of expression plays a major ...
Milan Kendra
doaj