Results 51 to 60 of about 4,992 (168)

Cinematic and aesthetic cartographies of subjective mutation [PDF]

, 2012
This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the ...
A Brustellin, C Marker, C Metz, D Fincher, D Fincher, F Berardi, F Berardi, F Berardi, F Guattari, G Deleuze, G Deleuze, G Deleuze, G Deleuze, G Deleuze, G Genosko, G Van Sant, I Bergman, I Bergman, I Bergman, K Ki-Duk, L Mulvey, M Antonioni, M Goddard, M Moore, Michael Goddard, O Welles, T Malick, W Reich, W Wenders, W Wenders, W Wenders, Z Ke Jia   +31 more
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Cortázar por Antonioni: narrar la potencia del arte

Catedral Tomada: Revista de Crítica Literaria Latinoamericana
Este artículo propone un análisis comparado del cuento “Las babas del diablo” (1959) de Julio Cortázar y el largometraje Blow-Up (1966) de Michelangelo Antonioni.
Alfredo Dillon
doaj   +1 more source

The Call of the Beyond: Music in Antonioni’s Red Desert

Наука телевидения, 2018
This article discusses Michelangelo Antonioni’s use of music in his 1964 film Red Desert (Il deserto rosso). Before Red Desert, Antonioni had avoided the Hollywood convention of the near-continuous musical score, and made only very sparing use of largely
Frolova-Walker Marina
doaj   +1 more source

Style, Narrative, and Cultural Politics in Bullitt [PDF]

, 2017
Peter Yates’s 1968 film Bullitt cemented the reputation of its star, Steve McQueen, as “the essence of cool” – to borrow a phrase from the title of the 2005 documentary that reflects on the star’s legacy. As the film reveals, however, and the documentary
Childs, Jeffrey Scott
core  

El universo visual de Michelangelo Antonioni: La Aventura (1960)

Annali Online dell'Università di Ferrara. Sezione Lettere, 2006
L'articolo ripercorre alcuni motivi fondamentali del film L'avventura di Michelangelo Antonioni (1960), analizzati alla luce di alcune sequenze esemplari.
Ana Melendo Cruz
doaj   +1 more source

Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy

Film-Philosophy, 2018
Within the loose group of studies that are sometimes labelled Heideggerian cinema – studies in which scholars consider film in conjunction with Heidegger's philosophy – little attention has been paid to Heidegger's actual view of cinema. This omission is
Michael Josiah Mosely
doaj   +1 more source

Frontotemporal Dementia, Where Do We Stand? A Narrative Review. [PDF]

Int J Mol Sci, 2023
Antonioni A, Raho EM, Lopriore P, Pace AP, Latino RR, Assogna M, Mancuso M, Gragnaniello D, Granieri E, Pugliatti M, Di Lorenzo F, Koch G.   +11 more
europepmc   +1 more source

Un tacto claro en el umbral oscuro del sentido = A Clear Touch in the Dark Threshold of Sense [PDF]

, 2013
español La hegemonía de lo visual como sentido que nos acerca al mundo, data sólo en cierto modo de la Ilustración a nuestros días , y la confusión entre representación y realidad, está en tela de juicio desde las uvas que picoteaba el pájaro ...
Martínez Ramírez, Dolores Victoria
core   +1 more source

Funny Face y Blow Up: dos paradigmas del diálogo entre fotografía de moda y cine [PDF]

, 2013
El mundo de la fotografía de moda ha sido abordado por el cine desde las perspectivas más glamurosas hasta las más sombrías, de lo que dan cuenta producciones como Prêt-a-Porter (Robert Altman, 1994) o Los ojos de Laura (Irvin Kershner, 1978), entre ...
Flores Martínez, María José, Parejo, Nekane   +1 more
core  

Futurismo: realidad en el cine-utopía en la realidad

Annali Online dell'Università di Ferrara. Sezione Lettere, 2010
L'articolo prende in esame il rapporto tra futurismo, cinema e realtà oggettiva, concentrandosi soprattutto sul cinema della modernità italiano, per dimostrare che - malgrado alcuni degli assunti del futurismo siano ancora attuali - le idee di questo ...
Ana Melendo Cruz
doaj   +1 more source