Results 71 to 80 of about 5,038 (166)

From Narration to Monstration: Representing Trauma in Ivan Martinac’s “House on the Sand”

open access: yesKwartalnik Filmowy
Ivan Martinac’s only feature film House on the Sand (Kuća na pijesku, 1985) is an avant-garde exploration of trauma within Yugoslav cinema, distinguished by its minimalist narrative and experimental techniques.
Višnja Pentić
doaj   +1 more source

From comic-style photo novels to film: new cross-media connections between photo novels and cinema

open access: yesFinzioni
This article traces an unusual – and in a sense ‘reverse’ – trajectory of intermedial exchanges between cinema and the photoromance, highlighting the bidirectional nature of their relationship.
Nike Francesca Del Quercio
doaj   +1 more source

Alfred Hitchcock über Alfred Hitchcock : eine Bibliographie der Texte und Interviews von Hitchcock [PDF]

open access: yes, 2010
Texte von Hitchcock Interviews Briefwechsel Die Texte Hitchcocks sind sehr verstreut, von äußerst unterschiedlichem Rang und Wert, oft ausgesprochen schwer zugänglich.
Wulff, Hans Jürgen
core  

“Sorry, no landscapes”. La volatilisation du paysage dans les atmosphères de Blow up (1966) de Michelangelo Antonioni

open access: yesAmbiances
With Blow up, Antonioni continues his search for an atmospheric cinema: variations in light and sound, effects of instability – of the characters, of the camera - and of decentring create singular atmospheres, by turns claustrophobic, volatile or ...
Olivier Gaudin
doaj   +1 more source

Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge

open access: yesAisthesis, 2018
In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in
Gerrard Carter
doaj  

Blow-up: a free lunch? [PDF]

open access: yesIperception, 2012
Koenderink J, Richards W, van Doorn A.
europepmc   +1 more source

Divismo e mélo secondo Michelangelo Antonioni

open access: yes, 2019
Il saggio si propone di analizzare il fenomeno del divismo popolare degli anni Cinquanta partendo da Michelangelo Antonioni, con particolare riferimento alla primissima fase del suo cinema e ai personaggi femminili che popolano quei film, rientranti nel filone del ‘mélo modernista’.
openaire   +2 more sources

Les pel·lícules del mes de gener [PDF]

open access: yes
not ...
Consell Editorial
core  

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