Results 51 to 60 of about 28,787 (154)

The Call of the Beyond: Music in Antonioni’s Red Desert

Наука телевидения, 2018
This article discusses Michelangelo Antonioni’s use of music in his 1964 film Red Desert (Il deserto rosso). Before Red Desert, Antonioni had avoided the Hollywood convention of the near-continuous musical score, and made only very sparing use of largely
Frolova-Walker Marina
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Una ventana entre dos silencios: Caetano Veloso y Michelangelo Antonioni [PDF]

, 2005
Indexación: Revista UNABEste artículo analiza la confluencia de tres artes (literatura, música y cine) en una canción que Caetano Veloso dedica a Michelangelo Antonioni, repasando los principales puntos de contacto en sus trayectorias como artistas y ...
Cussen, Felipe
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Michelangelo Antonioni, et après ? La postérité de Michelangelo Antonioni dix ans après sa disparition (2007-2017) Michelangelo Antonioni, and after? The posterity of Michelangelo Antonioni ten years after his death (2007-2017)

, 2017
À l'occasion des dix ans de la mort de Michelangelo Antonioni (le 30 juillet 2017), ce colloque se propose d'interroger la postérité du cinéaste. Une décennie après sa disparition et treize ans après son dernier film (Le Périlleux Enchaînement des choses)

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N.U. - Nettezza Urbana - (Propreté Urbaine) Michelangelo Antonioni, 1948

, 2017
(Archivio Storico Luce) La journée de travail des agents de la propreté urbaine de la ville de Rome est l'occasion pour Michelangelo Antonioni de raconter une ville où cohabitent les individus, les vies et les attitudes les plus opposés.
Claudia CIRELLI
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Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy

Film-Philosophy, 2018
Within the loose group of studies that are sometimes labelled Heideggerian cinema – studies in which scholars consider film in conjunction with Heidegger's philosophy – little attention has been paid to Heidegger's actual view of cinema. This omission is
Michael Josiah Mosely
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Four Basic Functions of Cinema [PDF]

Телекинет
The article presents a fundamental analysis of the four basic functions of cinema as a special kind of art. The study covers the his- torical period from the inception of cinema to the present day, examining the evolution of the role of cinema in ...
Nadir Hadmetulla oglu Badalov
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Le corps et l'épreuve du réel dans le cinéma de Michelangelo Antonioni

, 1992
Vauday Patrick. Le corps et l'épreuve du réel dans le cinéma de Michelangelo Antonioni. In: Raison présente, n°104, 4e trimestre 1992. Experiences du corps. pp.
Vauday, Patrick
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Futurismo: realidad en el cine-utopía en la realidad

Annali Online dell'Università di Ferrara. Sezione Lettere, 2010
L'articolo prende in esame il rapporto tra futurismo, cinema e realtà oggettiva, concentrandosi soprattutto sul cinema della modernità italiano, per dimostrare che - malgrado alcuni degli assunti del futurismo siano ancora attuali - le idee di questo ...
Ana Melendo Cruz
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Il mio Antonioni

, 2002
Lo stile di Michelangelo ...
B. Grespi
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Natureza-morta e o enigma em Blow up de Michelangelo Antonioni

, 2018
This article presents a textual analysis of the still life as a metaphysical concept in Michelangelo Antonioni’s film Blow up (1968). The analysis is based on the visual correlates between reality and metaphysics, concluding with their discursive ...
Madrid del Campo, Lara
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