Results 71 to 80 of about 4,992 (168)

Lo sguardo smarrito: riflessioni intorno a Il grido di Michelangelo Antonioni

Ricerche di S/Confine, 2013
L'articolo intende dimostrare il ruolo centrale che Il grido ha nell'evoluzione stilistica del cinema di Antonioni. La prima parte si sofferma sul tema del viaggio di Aldo che si lega saldamente ad una destrutturazione del paesaggio tale da impedire ai ...
Michele Guerra
doaj  

From Narration to Monstration: Representing Trauma in Ivan Martinac’s “House on the Sand”

Kwartalnik Filmowy
Ivan Martinac’s only feature film House on the Sand (Kuća na pijesku, 1985) is an avant-garde exploration of trauma within Yugoslav cinema, distinguished by its minimalist narrative and experimental techniques.
Višnja Pentić
doaj   +1 more source

“Sorry, no landscapes”. La volatilisation du paysage dans les atmosphères de Blow up (1966) de Michelangelo Antonioni

Ambiances
With Blow up, Antonioni continues his search for an atmospheric cinema: variations in light and sound, effects of instability – of the characters, of the camera - and of decentring create singular atmospheres, by turns claustrophobic, volatile or ...
Olivier Gaudin
doaj   +1 more source

Journalismus und Presse im Film : eine Filmographie [PDF]

, 2010
Journalismus und Presse im Film: Eine Filmographie.
Wulff, Hans Jürgen
core  

Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge

Aisthesis, 2018
In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in
Gerrard Carter
doaj  

Acercamiento a Lucía Bosé a través de las obras de Michelangelo Antonioni y Juan Antonio Bardem [PDF]

, 2013
Rey, Endika
core   +1 more source

La urbanidad de la arquitectura: una lectura paralela [PDF]

, 2010
Peer ...
Coll López, Jaime, Leclerc, Judith
core  

Michelangelo Antonioni’s Magical Realism: Elusive Optics

Observatory of Culture, 2015
Michelangelo Antonioni’s Magical Realism: Elusive Optics (by Anna Zakrevskaya) is an investigation of Michelangelo Antonioni’s film ‘Blowup’ with regard to its combination of magical, irrational elements and visible signs of recognizable reality. By means of work with frame composition and colour dramatic structure, a special unique “truth of life” is ...
openaire   +2 more sources

Blow-up: a free lunch? [PDF]

Iperception, 2012
Koenderink J, Richards W, van Doorn A.
europepmc   +1 more source

Changes in the distribution pattern of Claudin tight junction proteins during the progression of mouse skin tumorigenesis. [PDF]

BMC Cancer, 2007
Arabzadeh A, Troy TC, Turksen K.
europepmc   +1 more source