8 ‘Painting the Eternal’: Micromosaic Materiality and Transubstantiation in an Icon of Christ at Santa Croce in Gerusalemme, Rome
Chapter Four. Solntsev And The Reform Of Icon Painting
Chapter 2. The Shaman God Painting as an Icon and Its Artistic Qualities
Stavros icon painting school in revitalizing church painting
BYZANTINE STYLE AND MODERN UKRAINIAN ICON PAINTING
