Results 61 to 70 of about 2,714,475 (299)

Evaluating the Effects of Integrating Music and Painting Aesthetics in Children’s Education: A Quantitative Study [PDF]

open access: yesSHS Web of Conferences
The scope of aesthetics is often bound by the limits of sensory perception. In appreciating music and painting, information is typically processed through distinct perceptual channels. However, at the cerebral cortex and nervous system level, these modes
Gao Yan, Li Xiaobing
doaj   +1 more source

Boston University Wind Ensemble, October 2, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Boston University Wind Ensemble performance on Thursday, October 2, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

On the Prospects for African Philosophy in Australia

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper grapples with the situation of people of African descent in Australia by working through the constitution of the body of academic philosophy in the country. It contends with the parochialism of the Australian philosophical community and the prospects for the cultivation of greater pluralism. Taking African philosophy as one possible
Bryan Mukandi
wiley   +1 more source

ZIMMERMANN’S CRITICS OF JASPER’S DENYING THE METAPHYSICAL COGNITION

open access: yesHum, 2006
In this paper the author confronts Karl Jaspers and Stjepan Zimmermann’s attitudes about the possibility, range and scope of metaphysics as a rational activity.
Ivica Musić
doaj  

Music perception [PDF]

open access: yesFrontiers in Bioscience, 1979
The state of knowledge in several areas of music perception will be reviewed. Topics to be covered include principles of organization and grouping, tonal shape analyzing mechanisms, rhythm, and tempo, the role of memory, and the perception of instrumental timbre. The field as a whole is currently undergoing rapid expansion. This is due in large part to
openaire   +2 more sources

American VocalArts Quintet, Saturday 13, 1988 [PDF]

open access: yes, 1988
This is the concert program of the American VocalArts Quintet performance on Saturday, February 13, 1988 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Expectations and Reality: The Lived Experiences of Australians With Psychosocial Disability Within the NDIS

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT While Australia's National Disability Insurance Scheme (NDIS) was founded on principles of choice and control, for people with significant mental health challenges (what the NDIS calls ‘psychosocial disability’) these ideals often remain elusive. Support systems continue to be fractured and in the context of ongoing policy reforms, it is vital
Joel Hollier, Jennifer Smith‐Merry
wiley   +1 more source

The Early Music Series, November 15, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Early Music Series performance on Saturday, November 15, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Trio Sonata in D major, W. 151 by Carl Philipp Emanuel Bach, "Paris" Quartet
School of Music, Boston University
core  

Stakeholder Perspectives on Therapeutic and Safe Building Design in Residential Care

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT Residential care is a form of out‐of‐home care that plays a critical role in supporting vulnerable young people in Australia. However, there is an evidence gap regarding the built environment in this context. This research aimed to explore the perspectives of key stakeholders in residential care in Victoria, Australia, regarding design that ...
Carmen Schroder   +3 more
wiley   +1 more source

A Recital in Honor of Phyllis Curtin, April 12, 1997 [PDF]

open access: yes, 1997
This is the concert program of the Recital in Honor of Phyllis Curtin on Saturday, April 12, 1997 at 4:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Parle moi de ma mère!" from Carmen by Georges Bizet, "Ah!
School of Music, Boston University
core  

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