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International Journal of Public Theology, 2010 AbstractThis article argues that music may be an effective but under-explored metaphor for public theology. Specifically music can act as a helpful metaphor for theologians seeking to respond to three dominant criticisms of public theology, namely: that theology is too particularistic to be relevant to public discourse; that theology (and religion more
Robin Gill
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, 2023 Songs of protest have been inspiring activists for millennia, and continue to be created, shared, and reworked across musical genres. From the prophet Habakkuk as proto-protest singer, through a broad spectrum of twentieth and twenty-first century artists and diverse faith traditions, Theology and Protest Music gathers compelling contributions that ...
Altman, Heidi M, Harwell, Jonathan H.
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Introduction in Two PulsationsI. From Religion to Music: this opening will look at the way a shift in religious thinking in the West is moving us away from theological models reliant upon set philosophical polarities, especially those of transcendence and immanence, or of the absolute and the material.
Hass, Andrew +2 more
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Thesis Eleven, 1999 Jean-Francois Lyotard's essay `Adorno as the Devil' had argued that Theodor Adorno's Philosophy of Modern Music was a `diabolic' work of `negative theology' which attributed to Schoenberg's music a secret redemptive power. However, in his later writings, such as the essays in The Inhuman, Lyotard has himself moved close to a `negative theological ...
de la Fuente, Eduardo
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2000
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how
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Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how
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Theology on the Rocks? On How Popular Music Challenges Theology
Journal of Youth and Theology, 2003Practitioners of youth ministry have long recognised the importance of engagement with popular music for creative ministry. What is desperately needed, however, is a firm ideological foundation upon which to build that practice. In this article, Johan Ardui explores the relationship between theology and popular music through vital trends of thought in ...
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Remarks on The Music of Theology
In this response to The Music of Theology (2024), I remark upon three dimensions of the way of thinking theology set out by the authors. Firstly, I question the relationship between freedom and unfreedom they attribute to the aesthetic experience - because the theme of power is underdeveloped, I argue that the risk of being bound by undefined forces is
van Boxtel, Bram
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2023
Abstract When the early Church Fathers weaponized chant in their battle against the spiritual perils of pagan music, they used a theology describing Christ as the New Song, and the New Song as God Himself. As this chapter argues, by the nineteenth century that theology had barely changed—the British and Irish experience, a prime example.
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Abstract When the early Church Fathers weaponized chant in their battle against the spiritual perils of pagan music, they used a theology describing Christ as the New Song, and the New Song as God Himself. As this chapter argues, by the nineteenth century that theology had barely changed—the British and Irish experience, a prime example.
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Mutual Resonances: Remarks on the Relationship Between Music and Theology
International Journal for the Study of the Christian Church, 2020 This paper offers a brief survey of some of the main points of the argument of David Brown’s and Gavin Hopps’ The Extravagance of Music. It tries to show that an understanding of the extravagance of music must be based on an appreciation of the ...
Schwoebel, Christoph +1 more
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