Results 171 to 180 of about 5,739 (214)
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Scottish Journal of Theology, 1998
Our topic is theology and music — the conjunction expressing the modest hope that some useful demarcations and interactions maybe identifiable here. We are in no position to attempt, even in outline, a theology of music. Theologies of lay claim to a non-theological field in its entirety; they attempt to annex it, to re-establish it on what are taken to
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Our topic is theology and music — the conjunction expressing the modest hope that some useful demarcations and interactions maybe identifiable here. We are in no position to attempt, even in outline, a theology of music. Theologies of lay claim to a non-theological field in its entirety; they attempt to annex it, to re-establish it on what are taken to
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Theology, Music, and Modernity
2021Abstract This book addresses the question: how can the study of music contribute to the theological reading of modernity? It seeks to demonstrate that the making and hearing of music, and the discourses surrounding music, can bear their own particular kind of witness to the theological dynamics that have characterized and shaped ...
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2006
The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach.
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The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach.
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New Blackfriars, 2000
There has been a resurgence of interest in a particular kind of contemporary music in recent years. This has been a surprise to many, especially the composers involved, because we live at the end of a century that has seen a retreat by the composing community from the larger music loving public. If one looks back to the early days of the century we see
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There has been a resurgence of interest in a particular kind of contemporary music in recent years. This has been a surprise to many, especially the composers involved, because we live at the end of a century that has seen a retreat by the composing community from the larger music loving public. If one looks back to the early days of the century we see
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The theology of music in church
Scottish Journal of Theology, 2004This paper is concerned with how we should understand the distinctive contribution of music to Christian worship. It considers two contrasting views that have powerfully influenced contemporary church music – the pursuit of musical excellence by highly competent performers on the one hand, and the adoption of simpler, popular and more inclusive musical
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2017
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and ...
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Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and ...
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2007
If in A la recherche art is religion, then music is God. Music, as has often been pointed out, is the central artistic medium for the narrator of the novel. Music appears in the novel as the greatest of the arts, and it provides the model on which the narrator seems to base his final epiphany. The music of the fictional composer Vinteuil and the famous
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If in A la recherche art is religion, then music is God. Music, as has often been pointed out, is the central artistic medium for the narrator of the novel. Music appears in the novel as the greatest of the arts, and it provides the model on which the narrator seems to base his final epiphany. The music of the fictional composer Vinteuil and the famous
openaire +1 more source