Results 31 to 40 of about 6,509,856 (301)
MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION [PDF]
Studia Universitatis Babeş-Bolyai. Musica, 2023 The problematic field of the article focuses on aspects of genre and style transformation of well-known musical content that is recognizable and stylistically significant. In contemporary non-academic art, the established semantics of the original source
Violetta ARTEMENKO
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Science Advances, 2019 A statistical mechanics approach shows how the fundamental structures of musical harmony emerge from disordered sound. Music, while allowing nearly unlimited creative expression, almost always conforms to a set of rigid rules at a fundamental level.
J. Berezovsky
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Music Listening in Classical Concerts: Theory, Literature Review, and Research Program
Frontiers in Psychology, 2021 Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience ...
Melanie Wald-Fuhrmann +9 more
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Topophilia—Space for Human Creation and Interpretation
ArtsTopophilia, understood as a form of relationship between humans and their environment, can manifest in diverse ways—not only across various domains of art and life but also within the realm of music.
Katarzyna Szymańska-Stułka
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The Musicalization of Prose and Poetry in the Oeuvre of Daniil Kharms
Arts, 2023 The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach to ...
Levon Hakobian
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Studia Universitatis Babeş-Bolyai. MusicaThe relevance of this topic is related to the need to comprehend the processes of revival of the genre of the large polyphonic cycle in the musical art of the twentieth and early twenty-first centuries, where it acquires a high conceptual capacity.
Iryna KOKHANYK, Svitlana POSTOVOITOVA
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Teaching and Learning Music Theory in the Age of AI and Mobile Technologies
International Journal for Digital Society, 2019 Mobile technologies coupled with the power of artificial intelligence offer many affordances for educators and learners alike. This paper presents a case of a music mobile app, Harmonia-on-the-Go, created for the purpose of teaching and learning an area ...
Eddy K. M. Chong
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ASTOR PIAZZOLLA’S “HISTORY OF TANGO”: AN ANTHOLOGY OF THE GENRE IN THE AUTHOR’S PROJECTIONS
Studia Universitatis Babeş-Bolyai. MusicaAstor Piazzolla’s chamber cycle “History of Tango” for flute and guitar is examined in terms of its transformation of Latin American, European, and African genre traditions of tango, milonga, samba, habanera, lundu, and maxixe.
Tetiana FILATOVA, Tymur IVANNIKOV
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The Music Chapel of Empress Eleonora II. Source-related Difficulties in Researching the History of an Italian-dominated Institution in Vienna (1657-1686) [PDF]
Athens Journal of Humanities & Arts, 2016 After the death of her husband Ferdinand III in 1657, Eleonora Gonzaga founded her own music chapel (Kapelle) of 25 musicians, most of whom were from Italy.
Marko Deisinger
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Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’sTo Pimp A Butterfly
Music Theory Online, 2019 Kendrick Lamar’sTo Pimp A Butterflyoffers core music theory instructors many opportunities: to engage with popular music in a curriculum traditionally focused on art music, to discuss theoretical topics not usually considered in the music theory core ...
Robin Attas
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