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Reseña del libro "Investigación Musical desde Jalisco"

open access: yesEpistemus, 2021
Reseña del libro "Investigación musical desde Jalisco". Editado por la Secretaría de Cultura del Estado de Jalisco. México.
Miriam Muñoz
doaj   +1 more source

Features of Jalal Abbasov’s Work ‘Munajat – I’

open access: yesВісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2021
The article analyzes the chamber-instrumental work of Jalal Abbasov, a brilliant representative of the modern Azerbaijani school of composition, in particular, ‘Munajat-I’.
Севіндж Сеідова
doaj   +1 more source

That song in my head: a review on Musical Hallucinations

open access: yesEuropean Psychiatry, 2022
Introduction Hearing music inside our heads is frequent, however some hear it more vividly, constantly and involuntarily. Musical Hallucinations (MH), first described by Baillarger in 1846, are a complex type of auditory hallucination characterized by ...
F. Ramalheira   +3 more
doaj   +1 more source

Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005 [PDF]

open access: yesMuzikologija, 2013
Le genre de la comédie musicale - ou musical en terminologie anglo-saxonne - représente un sujet d’actualité de la vie théâtrale serbe et française. La dernière décennie a donné un nouveau élan au genre, mais c’est notamment la période depuis l ...
Janković-Beguš Jelena
doaj   +1 more source

The Dialogue of Giants: How Broadway and Hollywood “Saved” American Animation (and Were Saved in Return). (Kunze, Peter C. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance. New Brunswick, NJ: Rutgers University Press, 2023. 224 р.) [PDF]

open access: yesЛитература двух Америк, 2023
Peter Kunze’s book Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance is a (overwhelmingly) well-researched study of the transmedial migration of popular narratives in the 1980s and the 1990s.
Polina Yu. Rybina
doaj   +1 more source

Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond

open access: yesMulticultural Shakespeare, 2023
This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives.
Anna Cetera-Włodarczyk   +4 more
doaj   +1 more source

El baile como arma de protesta Diálogo con Nacho Álvarez sobre su primera película Explota Explota (2020)

open access: yesFotocinema: Revista Científica de Cine y Fotografía, 2022
Explota Explota es la primera película de Nacho Álvarez con Ingrid García-Jonsson, Verónica Echegui, Fernando Guallar. Se estrenó en España cuando los cines reabrieron durante la pandemia en otoño de 2020. La película cuenta la historia de María (Ingrid
Sabrina Grillo
doaj   +1 more source

Of the Awefull Afterlife of Cats. From the Illustrated Book to the Stage

open access: yesES Review, 2023
Old Possum’s Book of Practical Cats (1939) de T. S. Eliot adquirió mayor popularidad tras ser adaptado a musical por Andrew Lloyd Webber (1981). El entretenimiento popular fue para Eliot una fuente de inspiración, lo que hace especialmente interesante ...
Ester Díaz Morillo
doaj   +1 more source

Interpretation of Ballet Art Through Screen Directing Means

open access: yesВісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2023
The purpose of the article is to carry out a holistic analysis and determine the specifics of directorial means of interpreting ballet art in showing the formation of an artistic personality and delineating scientific guidelines that will contribute to ...
Галина Погребняк
doaj   +1 more source

Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages [PDF]

open access: yesКрымское историческое обозрение, 2020
The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people.
Ismet Zaatov
doaj   +1 more source

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