The analysis of the 1956 film Carousel (Dir. Henry King), which was based on the 1945 play by Rodgers and Hammerstein, provides a suitable example of a musical with explicit allusions to male physical aggression over two women: the wife and the daughter.
Patricia Álvarez Caldas
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What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem [PDF]
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie ...
Platonova Olesia A.
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The article is written in connection with the anniversaries of the life of the great Russian thinker Alexey Fedorovich Losev and is devoted to one of the aspects of his aesthetic research related to the interpretation of music in Neoplatonism.
G. G. Kolomiets
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Bogdan Milanković’s contribution to the development of musical culture in Sarajevo between world wars [PDF]
Dr Bogdan Milanković was one of the key figures in the musical life of Sarajevo between two world wars. A doctor of Romance philology who spent his working life as a high school teacher, Milanković also served as director and teacher of the ...
Hadžić Fatima
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The Dialogue of Giants: How Broadway and Hollywood “Saved” American Animation (and Were Saved in Return). (Kunze, Peter C. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance. New Brunswick, NJ: Rutgers University Press, 2023. 224 р.) [PDF]
Peter Kunze’s book Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance is a (overwhelmingly) well-researched study of the transmedial migration of popular narratives in the 1980s and the 1990s.
Polina Yu. Rybina
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Investigating musical performance: Commonality and diversity amongst classical and non-classical musicians [PDF]
The research project 'Investigating Musical Performance: Comparative Studies in Advanced Musical Learning' was devised to investigate how classical, popular, jazz and Scottish traditional musicians deepen and develop their learning about performance in ...
Creech, Andrea +9 more
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La música como reivindicación de género en "Margarita y el lobo", de Cecilia Bartolomé
El carácter innovador y feminista del mediometraje Margarita y el lobo (1969) supuso la censura total de la película y el ostracismo hacia su directora, la entonces estudiante de la EOC, Cecilia Bartolomé.
Marta García Sahagún
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ICARUS: a game/performance for drum-kit and live electronics. [PDF]
ICARUS is a game/performance for drum-kit and live electronics. The work explores improvised musical structures within an game setting, where the player navigates between five musical chapters.
Michalakos, Christos
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Статья посвящена рассмотрению постановок в жанре мюзикла в учебном театре Новосибирского государственного театрального института. Проблема выбора репертуара для воспитания студентов-актеров по-прежнему является достаточно актуальной, и использование ...
Коробейников, Сергей Савельевич
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Eduardo Sánchez de Fuentes: un creador musical polémico
These pages, result of a bigger investigation about Eduardo Sánchez de Fuentes ‘s contributions to the musical patrimony of Cuba, attempts the rescue from a historical-social perspective, from the courses of the historical justice, because it is ...
Irina Pacheco Valera
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