Results 11 to 20 of about 1,602,700 (378)

Musical taste and its relationship to functional exchange Between the religious and secular lyrical heritage

open access: yesمجلة فنون البصرة, 2023
The current study came to shed light on the process of musical taste and its relationship to the functional exchange between the religious and secular lyrical heritage, which the researchers formulated with the following question: (Is there a ...
Fadhil Aram Lazim, Jabar Khamat Hamza
doaj   +1 more source

What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem [PDF]

open access: yesХудожественная культура, 2023
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie ...
Platonova Olesia A.
doaj   +1 more source

A. F. Losev on the Neoplatonic Essence of Music in the Context of the Philosophy of Substantial Musical Existence (to the 130th Anniversary of the Birth of Aleksey Fedorovich Losev)

open access: yesИнтеллект. Инновации. Инвестиции, 2023
The article is written in connection with the anniversaries of the life of the great Russian thinker Alexey Fedorovich Losev and is devoted to one of the aspects of his aesthetic research related to the interpretation of music in Neoplatonism.
G. G. Kolomiets
doaj   +1 more source

Key Components of Musical Discourse Analysis [PDF]

open access: yes, 2013
Musical discourse analysis is an interdisciplinary study which is incomplete without consideration of relevant social, linguistic, psychological, visual, gestural, ritual, technical, historical and musicological aspects.
Agawu   +114 more
core   +1 more source

La música como reivindicación de género en "Margarita y el lobo", de Cecilia Bartolomé

open access: yesÁrea Abierta, 2016
El carácter innovador y feminista del mediometraje Margarita y el lobo (1969) supuso la censura total de la película y el ostracismo hacia su directora, la entonces estudiante de la EOC, Cecilia Bartolomé.
Marta García Sahagún
doaj   +1 more source

Perceptions and predictions of expertise in advanced musical learners [PDF]

open access: yes, 2010
The aim of this article was to compare musicians' views on (a) the importance of musical skills and (b) the nature of expertise. Data were obtained from a specially devised web-based questionnaire completed by advanced musicians representing four musical
Creech, Andrea   +10 more
core   +3 more sources

The Musicality of Non-Musicians: An Index for Assessing Musical Sophistication in the General Population

open access: yesPLoS ONE, 2014
Musical skills and expertise vary greatly in Western societies. Individuals can differ in their repertoire of musical behaviours as well as in the level of skill they display for any single musical behaviour.
Daniel Müllensiefen   +3 more
semanticscholar   +1 more source

О мюзикле в учебном театре

open access: yesВестник музыкальной науки, 2018
Статья посвящена рассмотрению постановок в жанре мюзикла в учебном театре Новосибирского государственного театрального института. Проблема выбора репертуара для воспитания студентов-актеров по-прежнему является достаточно актуальной, и использование ...
Коробейников, Сергей Савельевич
doaj   +1 more source

Internet of Musical Things: Vision and Challenges

open access: yesIEEE Access, 2018
The Internet of Musical Things (IoMusT) is an emerging research field positioned at the intersection of Internet of Things, new interfaces for musical expression, ubiquitous music, human–computer interaction, artificial intelligence, and participatory ...
L. Turchet   +4 more
semanticscholar   +1 more source

Eduardo Sánchez de Fuentes: un creador musical polémico

open access: yesComparative Cultural Studies, 2020
These pages, result of a bigger investigation about Eduardo Sánchez de Fuentes ‘s contributions to the musical patrimony of Cuba, attempts the rescue from a historical-social perspective, from the courses of the historical justice, because it is ...
Irina Pacheco Valera
doaj   +1 more source

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