مجلة فنون البصرة, 2023 The current study came to shed light on the process of musical taste and its relationship to the functional exchange between the religious and secular lyrical heritage, which the researchers formulated with the following question: (Is there a ...
Fadhil Aram Lazim, Jabar Khamat Hamza
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The Dialogue of Giants: How Broadway and Hollywood “Saved” American Animation (and Were Saved in Return). (Kunze, Peter C. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance. New Brunswick, NJ: Rutgers University Press, 2023. 224 р.) [PDF]
Литература двух Америк, 2023 Peter Kunze’s book Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance is a (overwhelmingly) well-researched study of the transmedial migration of popular narratives in the 1980s and the 1990s.
Polina Yu. Rybina
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La música como reivindicación de género en "Margarita y el lobo", de Cecilia Bartolomé
Área Abierta, 2016 El carácter innovador y feminista del mediometraje Margarita y el lobo (1969) supuso la censura total de la película y el ostracismo hacia su directora, la entonces estudiante de la EOC, Cecilia Bartolomé.
Marta García Sahagún
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Between, 2016 Lo spettacolo teatrale The Rocky Horror Show (1973) di Richard O’Brien e, successivamente, l’adattamento cinematografico The Rocky Horror Picture Show (1975) di Jim Sharman possono essere considerate due pietre miliari del musical.
Armando Rotondi
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Вестник музыкальной науки, 2018 Статья посвящена рассмотрению постановок в жанре мюзикла в учебном театре Новосибирского государственного театрального института. Проблема выбора репертуара для воспитания студентов-актеров по-прежнему является достаточно актуальной, и использование ...
Коробейников, Сергей Савельевич
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Eduardo Sánchez de Fuentes: un creador musical polémico
Comparative Cultural Studies, 2020 These pages, result of a bigger investigation about Eduardo Sánchez de Fuentes ‘s contributions to the musical patrimony of Cuba, attempts the rescue from a historical-social perspective, from the courses of the historical justice, because it is ...
Irina Pacheco Valera
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The literary basis of the musical „Adio Chiustenge!” [PDF]
Dialogica: Revistă de Studii Culturale și LiteraturăThe article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the
Inga CEBAN
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Sueños de Tay-Pi. Redescubriendo la revista musical de animación
Con A de Animación, 2023 Este artículo analiza la película Sueños de Tay Pi (1951), dirigida por Franz Winterstein para la productora Balet y Blay, a raíz de la reciente proyección de una copia conservada en Filmoteca Española. Comparando esta versión con dos documentos inéditos
Álex Mendíbil Blanco
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On a Romantic Island: Shakespeare and Mamma mia
Multicultural Shakespeare, 2019 The paper concerns the blockbuster musical film Mamma mia, loosely using some of Shakespearean patterns, topoi and plots. Set on a small Greek island, idylic and exotic, the film offers a contemporary romantic story with new/reversed roles in terms of ...
Jana B. Wild
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Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages [PDF]
Крымское историческое обозрение, 2020 The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people.
Ismet Zaatov
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