The word and music of epic song: From syncretism to sung poetry [PDF]
Muzikologija, 2013 This study concerns the relationship between verbal and musical components of Serbian epic songs with rhythm seen as a morphological dominant.
Lajić-Mihajlović Danka
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The Trieste Philharmonic in Serbia [PDF]
Muzikologija, 2018 This paper discusses the Trieste Philharmonic Orchestra’s tour in Serbia in the spring of 1946 and its political connotations. A sketch of the orchestra’s foundation in the context of the concurrent political efforts to solve the Trieste ...
Sukljan Nejc
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Vladimir R. Đorđević’s contribution to the transcription of vocal practices [PDF]
Muzikologija, 2020 Serbian musicians who were collecting different forms of traditional music at the end of the 19th and the beginning of the 20th century were unable to make audio recordings of the collected material.
Ranković Sanja
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The ideology of Yugoslav nationalism and primordial modernism in interwar music [PDF]
Muzikologija, 2011 In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia.
Atanasovski Srđan
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Reflections on a ‘shop’ melodic model in wedding and St George’s day songs from eastern and Central Serbia [PDF]
Muzikologija, 2017 This article examines a melodic model that characterizes Serbian ‘Shop’ musical idiom both in eastern and central Serbia, where it was disseminated through migrations from the ‘Shop’ cultural region to the west and northwest.
Jovanović Jelena
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Prokofiev’s seventh symphony and its two еndings: A study of “imposed” revisions [PDF]
Muzikologija, 2017 Why does a composer resort to changing any one of his compositions? Under what circumstances does the creative output need to be re-evaluated and perhaps reconsidered? Prokofiev’s final Seventh Symphony presents two endings different in mood and
Petroudi Georgia
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“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania [PDF]
Muzikologija, 2020 “’Perverting the Taste of the People’: Lăutari and the Balkan Question in Romania” considers the term “Balkan” in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something “bar-baric” or fractured.
Lawford Roderick Charles
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"-Et, ô ces voix d’enfants chantant dans la coupole!" Dimension symbolique de l’architecture et Mises en scène contemporaines du Parsifal de Richard Wagner [PDF]
Muzikologija, 2013 Parsifal représente un dilemme entre la sensualité et l’aspiration à la pureté, que Wagner a notamment synthétisé visuellement dans ses indications de décors.
Vincent Delphine
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Writers and chanters in the nineteenth century as keepers of the tradition of Serbian church music [PDF]
Muzikologija, 2014 In this paper, parts of the memoir literary works from the second half of the nineteenth century are presented as important sources for the research of Serbian traditional church chant.
Marjanović Nataša
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An unintended dialogue between “materialists” and “idealists”. The essays on west European art music in the "Zvuk" magazine (1932-1936) [PDF]
Muzikologija, 2013 The Zvuk magazine, one of the best Serbian and Yugoslav music reviews, was published in Belgrade from 1932 to 1936. It was founded and edited by a pianist, music historian and music critic Stana Ribnikar (1908-1986). Her closest collaborators in
Vasić Aleksandar
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