Results 81 to 90 of about 590,146 (302)

Fenomenologia aplicada à performance musical: um recorte na peça Bajulans de Manoel Dias de Oliveira Phenomenology applied to the musical performance: an approach to the piece Bajulans by Manoel Dias de Oliveira

open access: yesPer Musi, 2008
O presente trabalho propõe a análise musical fenomenológica como ferramenta facilitadora no processo de performance. A peça em questão é Bajulans, do Moteto de Passos, do compositor colonial mineiro Manoel Dias de Oliveira (1734/5-1813). Entender como se
Sérgio de Figueiredo Rocha
doaj   +1 more source

Collaborative music interaction on tabletops: an HCI approach [PDF]

open access: yes, 2011
With the advent of tabletop interaction, collaborative activities are better supported than they are on single-user PCs because there exists a physical shareable space, and interaction with digital data is more embodied and social.
Dobbyn, Chris   +3 more
core  

The Insistence of Blackness and the Persistence of Antiblackness in Ireland

open access: yesAustralian Journal of Social Issues, EarlyView.
ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
wiley   +1 more source

Landscape in the Twentieth Century Composing in the Aspect of Performing Interpretation

open access: yesStudia Universitatis Babeş-Bolyai. Musica
The aim of the study is to cover the topic of landscape in the composer’s practice of the 20th century from the perspective of performing interpretation, as a complex artistic phenomenon consisting of a number of elements. The following research methods
Nataliya BYELIK-ZOLOTARYOVA   +4 more
doaj   +1 more source

Neural Translation of Musical Style

open access: yes, 2017
Music is an expressive form of communication often used to convey emotion in scenarios where "words are not enough". Part of this information lies in the musical composition where well-defined language exists. However, a significant amount of information
Ek, Carl Henrik, Malik, Iman
core  

The threnoscope: a musical work for live coding performance [PDF]

open access: yes, 2013
This paper introduces a new direction in the field of artistic live coding where musical works are presented as pieces in the form of a live coding system.
Magnusson, Thor
core  

A perspective from the Mesozoic: Evolutionary changes of the mammalian skull and their influence on feeding efficiency and high‐frequency hearing

open access: yesThe Anatomical Record, EarlyView.
Abstract The complex evolutionary history behind modern mammalian chewing performance and hearing function is a result of several changes in the entire skeletomuscular system of the skull and lower jaw. Lately, exciting multifunctional 3D analytical methods and kinematic simulations of feeding functions in both modern and fossil mammals and their ...
Julia A. Schultz
wiley   +1 more source

‘Don’t Talk into my Talk’:oral narratives, cultural identity & popular performance in Colonial Uganda [PDF]

open access: yes, 2010
The essay draws on available archival sources and conversations with performance practitioners to 'recover moments from the past'demonstrating the relationship between performers, society and the colonial masters.Performance in colonial Uganda was ...
Kasule, Samuel
core   +1 more source

Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities [PDF]

open access: yes, 2015
Studies on the perception of music qualities (such as induced or perceived emotions, performance styles, or timbre nuances) make a large use of verbal descriptors.
CANAZZA TARGON, Sergio   +4 more
core   +1 more source

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