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The Role of Musical Training in the Perception of Popular-Music Harmonic Schemata
Research on musical harmony has shown how some harmonies are perceived as more stable than others, and how this stability can be affected by other musical features.
Samuel Gardner, Abby Fiedler
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Cross-Modal Musical Expectancy in Complex Sound Music: A Grounded Theory [PDF]
Expectancy is a core mechanism for constructing affective and cognitive experiences of music. However, research on musical expectations has been largely founded upon the perception of tonal music.
Juan Pablo Correa
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A música no universo galante tinha como teleologia objetivar processos sociocomunicativos através da experiência compartilhada de figuras musicais, campos expressivos, esquemas harmônicos (contrapontísticos) e modelos dramáticos transformados em ...
Diósnio Machado Neto +3 more
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O conceito de Schemata musical e seu emprego na construção da Abertura em Ré do padre José Maurício Nunes Garcia [PDF]
No presente trabalho analiso a utilização das Schemata (conceito de Robert Gjerdingen) na Abertura em Ré do padre José Maurício Nunes Garcia. A partir da análise, percebe-se a forma como o compositor manipulou, reordenou e fundiu essas Schemata ...
Ernesto Hartmann
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This commentary discusses the target paper by Gardner and Fiedler which addresses an area not often investigated in harmony literature, focusing on loop-based chord progressions, an important staple of many popular music genres.
Matthew Eitel
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Musical Schemata: Modelling Challenges and Pattern Finding (BachBeatles)
Christoph Finkensiep
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Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse [PDF]
Schumanns Eichendorff-Vertonungen sind schon vielfach Gegenstand musikwissenschaftlicher Untersuchungen und musikalischer Analysen geworden: Schumanns Eingriffe in den lyrischen Text, seine musikalischen Reaktionen darauf, die Harmonik, die Frage nach ...
Felix Diergarten
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On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte [PDF]
Using specific examples I want to examine the extent to which the schema concept and the Schenkerian concept of hierarchical organized tonal structures may interlock or, at least, illuminate each other.
Folker Froebe
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Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode
This article examines in a preliminary fashion the potential connections between the usage of Gjerdingen's (1988, 2007) skeletal galant schemata, the heyday of the major mode during the period 1750-1799 (Albrecht & Huron, 2014; Horn & Huron, 2015), and ...
Gilad Rabinovitch
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