Examining the relationship between preferred music types and temperament-character in individuals diagnosed with alcohol and substance use disorders. [PDF]
BMC PsycholBardakçı MR +4 more
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The impact of songs with prosocial lyrics on implicit cognition and prosocial behavior: a prospective event-related brain potential study. [PDF]
Front PsycholXu Q +13 more
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Music Listening as Exploratory Behavior: From Dispositional Reactions to Epistemic Interactions with the Sonic World. [PDF]
Behav Sci (Basel)Reybrouck M, Podlipniak P, Welch D.
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Behavior-Relevant Periodized Neural Representation of Acoustic But Not Tactile Rhythm in Humans. [PDF]
J NeurosciLenoir C, Lenc T, Polak R, Nozaradan S.
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Clustering analysis of Yue opera character tone trends based on quantum particle swarm optimization for fuzzy C-means. [PDF]
PLoS OneZhang Y, Wu X, Xu J, Ning Z, Han X.
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Embodied intelligence for drumming; a reinforcement learning approach to drumming robots. [PDF]
Front Robot AIKarbasi SM +3 more
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KritiSamhita: A machine learning dataset of South Indian classical music audio clips with tonic classification. [PDF]
Data BriefKonduri S, Pendyala KV, Pendyala VS.
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While most normal hearing listeners can distinguish between music genres, such as between pop, rock, and jazz, and most listeners experience certain associations, moods, and emotions when listening to music from, e.g., movie soundtracks, only few can explain how and why.
Brattico, Elvira, Trusbak Haumann, Niels
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Computational Evolutionary Musicology
2007The beginning of Chapter 2 offered a sensible definition of music as temporally organized sound. In the broader sense of this definition, one could arguably state that music is not uniquely human. A number of other animals also seem to have music of some sort. Complex vocalizations can be found in many birds (Marler and Slabbekoorn 2004), as well as in
Miranda, E., Todd, P.
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Craig Russell's book makes important contributions to the study of European music as it was brought to, implemented in, and shaped by the mission communities of Alta California. This field of inquiry by its nature questions received notions of musical historiography, especially as it pertains to the relationship of documentary and ethnographic evidence.
Elisabeth Le Guin, Margaret Cayward
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