Results 71 to 80 of about 59,962 (287)
Boston University Wind Ensemble, April 26, 2001 [PDF]
, 2001 This is the concert program of the Boston University Wind Ensemble performance on Thursday, April 26, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
The Rhetoric of the Troubadours
Musical Offerings, 2010 The medieval troubadours were no wandering musicians, casually improvising their songs as they strolled from town to town, but trained artists who lovingly crafted their songs to please and woo their listeners. The art of rhetoric deeply affected the art
Mary C. Abraham
doaj +1 more source
Woodward and Hoffmann. Hoffmann and Woodward. A Close Collaboration Had Yet to Begin**
The Chemical Record, Volume 25, Issue 5, May 2025.Roald Hoffmann's laboratory notebooks and letters provide an inside glimpse into his relationship with R. B. Woodward and the history of the Woodward‐Hoffmann rules. Abstract In 1965, R. B. Woodward and Roald Hoffmann published five communications in the Journal of the American Chemical Society in which they outlined the mechanisms of ...
Jeffrey I. Seeman
wiley +1 more source
Multi‐Modal Instrument Performances (MMIP): A Musical Database
Computer Graphics Forum, Volume 44, Issue 2, May 2025.Abstract Musical instrument performances are multimodal creative art forms that integrate audiovisual elements, resulting from musicians' interactions with instruments through body movements, finger actions, and facial expressions. Digitizing such performances for archiving, streaming, analysis, or synthesis requires capturing every element that shapes
T. Kyriakou +2 more
wiley +1 more source
Annals of the New York Academy of Sciences, Volume 1546, Issue 1, Page 120-135, April 2025.This study compares rhythm processing under two conditions—high pitch predictability (tonal music) and low pitch predictability (atonal music)—while keeping the temporal information of the stimuli constant. More predictable pitch is associated with better behavioral rhythm tracking (finger‐tapping) and decreased cortical rhythm tracking, potentially ...
Anne Keitel +8 more
wiley +1 more source
Musical Worlds and the Extended Mind [PDF]
, 2017 “4E” approaches in cognitive science see mind as embodied, embedded, enacted, and extended. They observe that we routinely “offload” part of our thinking onto body and world.
Krueger, Joel
core +1 more source
The Harmonious Soul and the Defence of Music in Sixteenth‐Century England
Renaissance Studies, Volume 39, Issue 2, Page 201-215, April 2025.Abstract This article examines the history of the concept of the soul as a harmony—as opposed to merely being like a harmony—in sixteenth‐century England, demonstrating how debates over music's morality in sixteenth‐century England were a catalyst for theorising an increasing affinity between music and the soul.
Katherine Butler
wiley +1 more source
Brahms Festival: Perspectives on Performance, April 5 - 7, 2001 [PDF]
, 2001 This is the concert program of the Brahms Festival performance on Thursday - Saturday, April 5 - 7, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts and the Marshall Room, 855 Commonwealth Avenue, Boston ...
School of Music, Boston University
core
The Challenge of Data in Digital Musicology
Frontiers in Digital Humanities, 2015 Most of our work in the humanities is increasingly driven by digital technology. Musicology is no exception and the field is undergoing the same revolution as all disciplines in the humanities. There are at least two key areas in which digital technology
L. Pugin
semanticscholar +1 more source
Faculty Concert, Wednesday, March 21, 2001 [PDF]
, 2001 This is the concert program of the Faculty Concert of Anthony Di Bonaventura on Wednesday, March 21, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in G Major, K. 523, Sonata
School of Music, Boston University
core