Results 51 to 60 of about 52,246 (219)
Percussion Ensemble, April 10, 2001 [PDF]
, 2001 This is the concert program of the Percussion Ensemble performance on Tuesday, April 10, 2001 at 8:00 p.m., at Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
From Unremembered to Overremembered. Gender in the Holocaust Museums of Hungary and Slovakia
Curator: The Museum Journal, Volume 69, Issue 2, Page 166-176, April 2026.ABSTRACT In museums, the history of the Holocaust is told through various means of exhibition construction, including architecture/space, texts, artifacts, photographs, and digital technologies. The article focuses on the gendered history of the Holocaust in museums as institutions in Central Europe after the illiberal turn and evaluates how (and if ...
Andrea Petö, Borbála Klacsmann
wiley +1 more source
Hudební věda v Brně po roce 1989
Musicologica Brunensia, 2015 The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of ...
Petr Macek
doaj +1 more source
Weaving Political Identities: Jean‐Luc Nancy, Empedocles, and (the Later) Plato
Constellations, EarlyView.
Benjamin Hutchens
wiley +1 more source
Color as A Narrative Device in Illustration: A Systematic Review
Color Research &Application, Volume 51, Issue 2, March/April 2026.Color in picture book illustration operates simultaneously as a representational code, cognitive scaffold, and affective cue supporting theories such as Dual Coding and multimodal discourse while revealing gaps in methodology and cross‐cultural research.
Lidia Jiménez‐Duarte +2 more
wiley +1 more source
Current Musicology, 2018 Musicologists have been gripped by the desire to democratize, diversify, decolonize, and popularize their discipline. Driven by a growing moral demand to challenge the Eurocentric, heteronormative, exclusionary, colonial, settler colonial, non-diverse, and white supremacist legacies of a discipline plagued by its rootedness in European classical ...
openaire +3 more sources
Faculty Concert: The Muir String Quartet, October 29, 2001 [PDF]
, 2001 This is the concert program of the Faculty Concert: The Muir String Quartet performance on Monday, October 29, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were String Quartet in G Major, Op.76 No.
School of Music, Boston University
core
Sound archaeology: terminology, Palaeolithic cave art and the soundscape [PDF]
, 2014 This article is focused on the ways that terminology describing the study of music and sound within archaeology has changed over time, and how this reflects developing methodologies, exploring the expectations and issues raised by the use of differing ...
Arias P. +41 more
core +1 more source
Journal of the Association for Information Science and Technology, Volume 77, Issue 1, Page 92-107, January 2026.Abstract Provenance is the story of how something has come to be. In this paper, we provide a systematic literature review to categorize the various notions of provenance in Information Sciences. The goal of this review is to paint a broader picture of the multiple uses of provenance at play and to enhance our understanding of the importance of ...
Rhiannon Bettivia +2 more
wiley +1 more source