Results 41 to 50 of about 3,931 (170)
Abstract This article examines the structural reconfiguration of contemporary music‐making within AI‐mediated production environments. From a historical perspective of music technology, it compares algorithmic composition, electronic instruments, and Digital audio workstations (DAWs) to argue that the present transition represents not a rupture but a ...
Eun Ji Park
wiley +1 more source
Internet-based communication technologies can reduce both carbon emissions and financial costs of academic conferences for individual participants—especially those from non-rich countries.
Richard Parncutt +2 more
doaj +1 more source
ABSTRACT Despite the growing use of GenAI in English as a foreign language (EFL) writing, research on the interplay between learners' behavioural intentions and GenAI‐assisted writing performance remains scarce. To address this gap, the present study integrates the theory of planned behaviour with social cognitive theory of self‐regulation to examine ...
Xiaolei Shen +2 more
wiley +1 more source
Current Musicology's Project on Musicological Method
Current Musicology, No 7 (1968): Current ...
openaire +2 more sources
ABSTRACT The article examines the history of phonographic recordings from the Jesup North Pacific Expedition (1897–1902), a venture that shaped the methods of Siberian and Arctic anthropology for decades. The authors—a historical anthropologist, a curator, and an Indigenous Sakha scholar—trace how audio recordings made during the expedition have moved ...
Dmitry Arzyutov +2 more
wiley +1 more source
Ecologization Is Not a Metaphor: Museums in the Web of Life
ABSTRACT This article documents and critiques emerging accounts of museum “ecologization”. Drawing on political ecology, materialist theory, and contemporary museum practice, we challenge dominant frameworks of ecological modernization and advocate for a more critical understanding of museums in the web of life.
Colin Sterling +2 more
wiley +1 more source
Is Musicology (Only) One of the Humanities?
Today, a general definition of musicology is both precise and imprecise: it is a study of music. This recent scientific discipline was established by Guido Adler in his 1885 paper The Scope, Method, and Aim of Musicology, although there had been many ...
Ana Popović
doaj
Hudební věda v Brně po roce 1989
The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of ...
Petr Macek
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Johan Svendsen and Two‐Dimensional Sonata Form
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley +1 more source
Previous empirical studies have suggested that the perceived consonance/dissonance (C/D) of a musical chord depends on its psychoacoustic smoothness (lack of roughness), spectral harmonicity (perceptual fusion), and/or musical familiarity. We tested the
Richard Parncutt +2 more
doaj +2 more sources

