Results 31 to 40 of about 3,931 (170)
A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron
Musical Offerings, 2014 One of the currently prevalent analytic approaches in academia is feminist theory and criticism. Its combination with musicology has influenced the field for the past four decades.
Kimberly Reitsma
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History, EarlyView.Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
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Current Musicology, 2005 Empirical Musicology is a collection of articles exploring the potential for a greater integration of empirical methods into musicology and music theory.
Johanna Devaney
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Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
Music Analysis, EarlyView.ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
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Reflecting on ethno/musicology from an alternative angle: “Lives in Musicology” in Acta Musicologica [PDF]
MuzikologijaThis article examines the “Lives in Musicology” column in Acta Musicologica (introduced in 2017 by Federico Celestini and Philip V. Bohlman) as a lens for reflecting on the discipline of musicology.
Marković Tatjana
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Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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Current Musicology, 2007 In early 2006, I did something I had never done before. I sent a musicology book as a gift to a friend. No, to two friends, one a former musicologist who now works as a gambist, the other a former musicologist who now works as a writer.
Suzanne G. Cusick
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form
Music Analysis, EarlyView.ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
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A Case for Reproducibility in MIR: Replication of ‘A Highly Robust Audio Fingerprinting System’
Transactions of the International Society for Music Information Retrieval, 2018 Claims made in many Music Information Retrieval (MIR) publications are hard to verify due to the fact that (i) often only a textual description is made available and code remains unpublished – leaving many implementation issues uncovered; (ii) copyrights
Joren Six, Federica Bressan, Marc Leman
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Generative AI and the Future of Musical Diversity
Topics in Cognitive Science, EarlyView.Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
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