Results 41 to 50 of about 171,479 (209)

LA COMPARAISON DE LA MUSIQUE TURQUE ET OCCIDENTALE EN MATIERE DE GAMME, RYTHME ET TONALITE [PDF]

, 2012
Après avoir fini mon Doctorat en musique à l’université d’Ankara en Turquie, j’ai travaillé en tant que Maitre de conférences à l’université de Nevşehir.
Kubilay Kolukirik
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«Différant des Autres», Espacements et Temporalités Spectrales

Anthropology of Consciousness, Volume 37, Issue 1, Spring 2026.
ABSTRACT That night that he agreed to our suggestion that we accompany him outside, for the whole night or until the overflow has passed, M seemed to be in direct contact with all the layers of astronomy, inhabiting all temporalities simultaneously. Outside, lying/sitting on the picnic table, in the pitch‐black darkness of the night in the woods, under
Amélie‐Anne Mailhot
wiley   +1 more source

N’kpromi dans les musiques traditionnelles kyaman [PDF]

Ziglôbitha, 2023
Résumé : Les kyaman, dont une musique fait l’objet de nos investigations, sont un peuple lagunaire dont le plan d’eau porte le nom. Forestiers, par conséquent cultivateurs, planteurs et aussi grimpeurs de palmiers, ils produisent et pratiquent nombre de ...
DJOKE BODJE THEOPHILE
doaj  

Aesthetic peerhood and the significance of aesthetic peer disagreement

The Southern Journal of Philosophy, Volume 63, Issue 3, Page 444-463, September 2025.
Abstract Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result.
Quentin Pharr, Clotilde Torregrossa
wiley   +1 more source

The Past Didn’t Go Anywhere: Making Music/Making History in Contemporary American Folk

Revue LISA, 2004
Bien que la musique populaire se préoccupe, bien souvent, de façon quasi-exclusive du présent, la popularité de la musique folk ne se dément pas, comme le montre le regain d’intérêt pour la musique bluegrass qu’a déclenché le film O Brother, Where Art ...
Sophie Levy
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Expérience d’implantation d’un parcours professionnalisant en musique dédié aux compositeurs à l’image et aux interprètes-créateurs

Revue Internationale de Pédagogie de l’Enseignement Supérieur, 2023
Le programme de baccalauréat offert par l’École de musique de l’Université de Sherbrooke a été entièrement transformé en 2018 sous forme de parcours professionnalisant.
André Cayer, Chantale Dodier
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Functionality and history of electronics in regards to the performance practice of the following works: Temazcal (1984), Javier Álvarez, and Memory Palace (2012), Christopher Cerrone [PDF]

, 2016
Master's Project (M.Mu.) University of Alaska Fairbanks, 2016The Electroacoustic pieces; Temazcal (1984), by Javier Alvarez (b.1956), and Memory Palace (2012) by Christopher Cerrone (b.1984), each employ different types of electronic technologies in ...
Ransom, Jacob
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The Harmonious Soul and the Defence of Music in Sixteenth‐Century England

Renaissance Studies, Volume 39, Issue 2, Page 201-215, April 2025.
Abstract This article examines the history of the concept of the soul as a harmony—as opposed to merely being like a harmony—in sixteenth‐century England, demonstrating how debates over music's morality in sixteenth‐century England were a catalyst for theorising an increasing affinity between music and the soul.
Katherine Butler
wiley   +1 more source

‘Furnisht with such members as are after a sort burthensome unto them’: White Traveller Perceptions of Black Male Bodies and the Construction of Race, 1450–1730

Gender &History, Volume 37, Issue 1, Page 72-90, March 2025.
Abstract This article explores how European travellers to Africa perceived African masculinity, the male body and sexuality during the period of 1450–1730. It argues that their observations helped Europeans construct early notions of racial difference at a time when skin colour was not the most important marker of difference classifying people.
Sergio Lussana
wiley   +1 more source

Between the Visionary and the Archaic: Iannis Xenakis's Cosmic City [PDF]

, 2003
Almost parallel with his groundbreaking theoretical work Musiques formelles (Xenakis, 1963), the late composer and architect Iannis Xenakis (1922-2001) published “The Cosmic City” (Xenakis, 1965).
Sterken, Sven
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