Results 31 to 40 of about 1,579 (171)
European Journal of Education, Volume 61, Issue 2, June 2026.ABSTRACT Power asymmetries shape structures, culture and experiences within higher education, yet remain underexamined in creative disciplines. This study explores how abuse of power is perceived by stakeholders in creative higher education in Germany and Austria—students, equality officers, lecturers and senior professionals—through 16 in‐depth ...
Marina Fischer +3 more
wiley +1 more source
The impact of movement sonification on haptic perception changes with aging
Scientific Reports, 2021 Combining multisensory sources is crucial to interact with our environment, especially for older people who are facing sensory declines. Here, we examined the influence of textured sounds on haptic exploration of artificial textures in healthy younger ...
C. Landelle +9 more
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Gender &History, Volume 38, Issue 1, Page 289-306, March 2026.Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
wiley +1 more source
Musique profane et reugieuse: la présence feminine dans la musique médiévale et baroque
Caligrama: Revista de Estudos Românicos, 2003 La présence de la femme dans la musique médiévale est un thême encore peu étudié du point de vue social, les musicologues se consacrant surtout à la lecture des notations. Cependant, la participation de la femme dans le contexte soit de la musique sacrée,
Viviane Cunha
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L’atelier éclaté : enjeux dans la composition et l’interprétation musicales
Percées, 2021 Dans l’histoire de la musique occidentale, le statut de l’atelier – comme lieu du faire et lieu de transmission – semble inexistant. À première vue, il n’y a pas d’équivalent en musique des ateliers de sculpture et de peinture de la Renaissance, du ...
Grazia Giacco, Christine Esclapez
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«Différant des Autres», Espacements et Temporalités Spectrales
Anthropology of Consciousness, Volume 37, Issue 1, Spring 2026.ABSTRACT That night that he agreed to our suggestion that we accompany him outside, for the whole night or until the overflow has passed, M seemed to be in direct contact with all the layers of astronomy, inhabiting all temporalities simultaneously. Outside, lying/sitting on the picnic table, in the pitch‐black darkness of the night in the woods, under
Amélie‐Anne Mailhot
wiley +1 more source
Aesthetic peerhood and the significance of aesthetic peer disagreement
The Southern Journal of Philosophy, Volume 63, Issue 3, Page 444-463, September 2025.Abstract Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result.
Quentin Pharr, Clotilde Torregrossa
wiley +1 more source
The Past Didn’t Go Anywhere: Making Music/Making History in Contemporary American Folk
Revue LISA, 2004 Bien que la musique populaire se préoccupe, bien souvent, de façon quasi-exclusive du présent, la popularité de la musique folk ne se dément pas, comme le montre le regain d’intérêt pour la musique bluegrass qu’a déclenché le film O Brother, Where Art ...
Sophie Levy
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The Harmonious Soul and the Defence of Music in Sixteenth‐Century England
Renaissance Studies, Volume 39, Issue 2, Page 201-215, April 2025.Abstract This article examines the history of the concept of the soul as a harmony—as opposed to merely being like a harmony—in sixteenth‐century England, demonstrating how debates over music's morality in sixteenth‐century England were a catalyst for theorising an increasing affinity between music and the soul.
Katherine Butler
wiley +1 more source
N’kpromi dans les musiques traditionnelles kyaman [PDF]
Ziglôbitha, 2023 Résumé : Les kyaman, dont une musique fait l’objet de nos investigations, sont un peuple lagunaire dont le plan d’eau porte le nom. Forestiers, par conséquent cultivateurs, planteurs et aussi grimpeurs de palmiers, ils produisent et pratiquent nombre de ...
DJOKE BODJE THEOPHILE
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