Results 31 to 40 of about 1,596 (134)
The Past Didn’t Go Anywhere: Making Music/Making History in Contemporary American Folk
Bien que la musique populaire se préoccupe, bien souvent, de façon quasi-exclusive du présent, la popularité de la musique folk ne se dément pas, comme le montre le regain d’intérêt pour la musique bluegrass qu’a déclenché le film O Brother, Where Art ...
Sophie Levy
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«Différant des Autres», Espacements et Temporalités Spectrales
ABSTRACT That night that he agreed to our suggestion that we accompany him outside, for the whole night or until the overflow has passed, M seemed to be in direct contact with all the layers of astronomy, inhabiting all temporalities simultaneously. Outside, lying/sitting on the picnic table, in the pitch‐black darkness of the night in the woods, under
Amélie‐Anne Mailhot
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La musique comme voie possible d’une histoire comparée des conflits armés.
Professeur d’histoire contemporaine à l’Université de Lorraine et directeur de l’Institut d’Histoire Culturelle Européenne-Bronisław Geremek au Château des Lumières-Lunéville, Didier Francfort se considère comme un historien avec musique, et non pas un ...
Luis Velasco-Pufleau
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N’kpromi dans les musiques traditionnelles kyaman [PDF]
Résumé : Les kyaman, dont une musique fait l’objet de nos investigations, sont un peuple lagunaire dont le plan d’eau porte le nom. Forestiers, par conséquent cultivateurs, planteurs et aussi grimpeurs de palmiers, ils produisent et pratiquent nombre de ...
DJOKE BODJE THEOPHILE
doaj
Aesthetic peerhood and the significance of aesthetic peer disagreement
Abstract Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result.
Quentin Pharr, Clotilde Torregrossa
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The Harmonious Soul and the Defence of Music in Sixteenth‐Century England
Abstract This article examines the history of the concept of the soul as a harmony—as opposed to merely being like a harmony—in sixteenth‐century England, demonstrating how debates over music's morality in sixteenth‐century England were a catalyst for theorising an increasing affinity between music and the soul.
Katherine Butler
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Le programme de baccalauréat offert par l’École de musique de l’Université de Sherbrooke a été entièrement transformé en 2018 sous forme de parcours professionnalisant.
André Cayer, Chantale Dodier
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Abstract This article explores how European travellers to Africa perceived African masculinity, the male body and sexuality during the period of 1450–1730. It argues that their observations helped Europeans construct early notions of racial difference at a time when skin colour was not the most important marker of difference classifying people.
Sergio Lussana
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Analyse du champ lexical des instruments de musique dogon
Résumé Cette étude propose une analyse linguistique du champ lexical des instruments de musique dans la culture dogon où la musique occupe une place importante dans la vie quotidienne, dans les rituels et les cérémonies.
Kindié Yalcouyé +2 more
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AbstractThe article delves into the need for an anthropological exploration of consciousness in the modern context. While anthropology's core focus has always been the study of the human subject, this study argues that consciousness has emerged as a fundamental aspect that underpins all human phenomena.
Federico Divino
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