Results 11 to 20 of about 1,596 (134)
The Hypoalgesic Effects of Pleasant Music Are Not Fully Explained by Distraction. [PDF]
ABSTRACT Background One explanation for the hypoalgesic effects of pleasant music is that these stimuli impact pain by eliciting positive emotion. However, it is not clear how much of this effect is due to attentional bias, as pleasant music may more effectively capture attention than neutral or aversive control conditions.
Desbarats É +3 more
europepmc +2 more sources
‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England
Abstract This article explores how music publishers recruited the gendered expectations of musical practice to market their scores to male and female audiences. It shows how the graphic and textual elements of title pages and prefaces were used as promotional material and reveals how publishers encoded gendered representations of music making into ...
Dominic James Ruggier Bridge
wiley +1 more source
Abstract The concept of neurodiversity has fuelled a social justice movement advocating for the rights of those whose lives diverge from a socially‐constructed default. However, deficit understandings of disability persist in educational settings and neurodivergent people continue to face disadvantage and discrimination in organisations constructed on ...
Chris Bailey
wiley +1 more source
TO FLY THE PLANE: LANGUAGE GAMES, HISTORICAL NARRATIVES, AND EMOTIONS
ABSTRACT The common Western distinction between reason and emotion (which is not found outside Western‐influenced traditions) tends to obscure an important distinction between two kinds of thinking: logical and mathematical reasoning, on the one hand, and, on the other hand, what is sometimes called “situational awareness,” a kind of thinking that ...
William M. Reddy
wiley +1 more source
Du combat à la contredanse : musique et indépendance en Colombie, circa 1810
Les opérations militaires de l’indépendance de la Colombie se sont entourées toujours d’un appareil musical qui comprenait aussi bien de la musique savante (symphonies, odes, hymnes, marches) que de la musique populaire ou de fête (contredanse, valses ...
Ernesto Mächler Tobar +1 more
doaj +1 more source
Quels sont les objectifs assignés à la médiation culturelle dans les organismes de production et de diffusion de la musique au Québec ? Comment ces activités sont-elles mises en oeuvre ?
Irina Kirchberg
doaj +1 more source
Musik – eine internationale Kunst?
La musique est-elle un art international ? Échappant aux limites linguistiques, la musique semble destinée à transgresser le rigide système des frontières nationales.
Anna Langenbruch
doaj +1 more source
VERBETES "IMITAÇÃO" E "MELODIA" DO DICTIONNAIRE DE MUSIQUE DE J-J ROUSSEAU
Tradução dos verbetes "Imitação" e "Melodia" do Dictionnaire de musique de J-J. Rousseau. Os verbetes aqui traduzidos pertencem ao Dictionnaire de musique [Dicionário de música], obra de caráter musicológico, na qual há as principais reflexões ...
André Souza Silva
doaj +1 more source
« Tu m’as emporté, emporté », une présence du mythe érotique dans le cantique roumain [PDF]
Le terme mythe a été théorisé maintes fois, à partir de l’antiquité grecque. Chez les Roumains, les mythes trouvés dans les croyances populaires sont toujours présents dans la culture traditionnelle, en général, et dans les cantiques, en particulier ...
Mircea Ciprian Mizgan-Danciu
doaj
Some aspects of the research in the Laboratory of the Musée de la Musique, Paris Cité de la musique
Experience The Musée de la Musique has a research and restoration laboratory that combines applied research dedicated to the study and conservation of musical instruments while also providing services linked to the collection.
Stephane Vaiedelich
doaj +3 more sources

