Results 11 to 20 of about 1,579 (171)

‘A Musical Bouquet for the Ladies’: Gendered Markets for Printed Music in Eighteenth‐Century England

open access: yesJournal for Eighteenth-Century Studies, Volume 46, Issue 4, Page 499-519, December 2023., 2023
Abstract This article explores how music publishers recruited the gendered expectations of musical practice to market their scores to male and female audiences. It shows how the graphic and textual elements of title pages and prefaces were used as promotional material and reveals how publishers encoded gendered representations of music making into ...
Dominic James Ruggier Bridge
wiley   +1 more source

‘Neurodivergent literacies’: exploring autistic adults' ‘ruling passions’ and embracing neurodiversity through classroom literacies

open access: yesLiteracy, Volume 57, Issue 2, Page 120-131, May 2023., 2023
Abstract The concept of neurodiversity has fuelled a social justice movement advocating for the rights of those whose lives diverge from a socially‐constructed default. However, deficit understandings of disability persist in educational settings and neurodivergent people continue to face disadvantage and discrimination in organisations constructed on ...
Chris Bailey
wiley   +1 more source

TO FLY THE PLANE: LANGUAGE GAMES, HISTORICAL NARRATIVES, AND EMOTIONS

open access: yesHistory and Theory, Volume 62, Issue 1, Page 30-61, March 2023., 2023
ABSTRACT The common Western distinction between reason and emotion (which is not found outside Western‐influenced traditions) tends to obscure an important distinction between two kinds of thinking: logical and mathematical reasoning, on the one hand, and, on the other hand, what is sometimes called “situational awareness,” a kind of thinking that ...
William M. Reddy
wiley   +1 more source

Hypnosis on patients treated with adjuvant chemotherapy for breast cancer: A feasibility study

open access: yesCancer Reports, Volume 6, Issue 1, January 2023., 2023
Abstract Background Acceptability and tolerance of chemotherapy on patients treated for breast cancer remain challenging. Complementary approaches such as hypnosis may have a favorable impact both at the time of announcing and during chemotherapy, due to the notorious anxiety, distress, and self‐perceived dysfunction.
Michel Fabbro   +8 more
wiley   +1 more source

“Musiques métisses”, musiques criollas [PDF]

open access: yesL'Homme, 2013
La musique métisse ou criolla apparaît dès le xvie siècle en Amérique ibérique sous les deux formes religieuse et profane. Instruments de musique, répertoire poétique, danses et structure rythmique, importées de la péninsule ibérique, subissent dans les Amériques des modifications importantes notamment sous l’influence des esclaves et Noirs libres ...
openaire   +1 more source

Surveillance, trust, and policing at music festivals

open access: yesCanadian Geographer / Le géographe canadien, Volume 66, Issue 2, Page 202-219, Summer / été 2022., 2022
Key Messages Community, not policing, is the primary desired intervention to create safe spaces. Females feel less safe than males. Surveillance degrades people's experience of public space. Music festivals are often the highlight of summertime, but are also spaces that are increasingly policed.
Kara C. Hoover   +3 more
wiley   +1 more source

Ancora sui goûts réunis: Michele Mascitti, Giovanni Antonio Guido e l’eredità di Corelli e Vivaldi in Francia nella prima metà del Settecento

open access: yesDe Musica Disserenda, 2015
The subject isthe reception of Italian instrumental music in France during the first decades of the eighteenth century. After examining the diffusion of music by Corelli and Vivaldi – the two Italian composers who exerted the most durable influence on ...
Barbara Nestola
doaj   +1 more source

« Prélude : musique et musiquer » [PDF]

open access: yesVolume !, 2019
Dans une salle de concert, deux mille personnes prennent place, et un profond silence s’installe. Une centaine de musiciens accordent leurs instruments. Le chef d’orchestre leve sa baguette et, apres quelques instants, la symphonie commence. Pendant que l’orchestre joue, chaque membre du public ecoute, seul, l’œuvre d’un grand compositeur mort. Dans un
openaire   +1 more source

« Les marchés de la musique vivante », de l’expérience professionnelle à l’enseignement et la recherche

open access: yesTransposition, 2018
Comment enseigner la gestion de la musique ? Quel dialogue peut-on engager entre la pratique et la recherche dans ce domaine ? Et quels sont les enjeux auxquels il convient de préparer les futurs administrateurs de la musique en France, et ailleurs ...
Fanny Gribenski
doaj   +1 more source

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