Results 1 to 10 of about 37 (29)
Revue d'Études Autochtones, 2021 Le présent article montre les résultats d’une recherche réalisée dans le cadre d’un projet de maîtrise qui concernait l’historiographie de l’artiste anishnabe Nadia Myre. Il s’agit d’une analyse de 147 textes au sujet de celle-ci.
Maude Darsigny-Trépanier
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Decolonial Gestures or Doing it Wrong ? Refaire le chemin. Musée McCord, 18 février au 29 mai 2016, Artist en résidence : Nadia Myre [PDF]
RACAR: Revue D'art Canadienne / Canadian Art Review, 2017 exaly +2 more sources
, 2023 Nadia Myre is an artist from the Kitigan Zibi Anishnabeg nation. Despite the highly political, even polemical questions she tackles - for example, the Indian Act - her works remain ambiguous, rather leaving the spectator in an ambiguity. This suspension allows the latter to apprehend this practice from personal referents, investing this unknown - for ...
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Partnership between patients, nurse leaders and researchers: Outcomes of a web-based KT strategy for hospital discharge planning and care transitions in oncology. [PDF]
Can Oncol Nurs J, 2018 Lefebvre H +6 more
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Partenariat entre patients, leaders en soins infirmiers et chercheurs : résultats d’une stratégie web de transfert des connaissances pour planifier le congé d’hôpital et faciliter les transitions au cours des soins oncologiques. [PDF]
Can Oncol Nurs J, 2018 Lefebvre H +6 more
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Some of the next articles are maybe not open access.
Disrupted translations: Legibility and identity in the works of Nadia Myre
International Journal of Media and Cultural Politics, 2015Abstract This article examines two series of work by contemporary Algonquin French Canadian artist Nadia Myre, Indian Act (2000–2002) and Journey of the Seventh Fire (2008–2009). These two bodies of work, which combine typed document or corporate logo with traditional techniques of beadwork, address issues of identity, history and ...
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