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Co-occurrence of pediatric-type diffuse high-grade gliomas with arteriovenous malformations: case report and narrative literature review. [PDF]
Childs Nerv SystZeng Y +6 more
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2018
After a discussion of the most important thought about narrative closure and ethics, this chapter goes on to explore one sort of ending—the frame shifter—that was a feature of many episodes of the television series The Twilight Zone. Ethical critics have tended to assume that closed endings are nearly always ethically inferior to open endings.
Jeremy G. Butler, Amanda D. Lotz
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After a discussion of the most important thought about narrative closure and ethics, this chapter goes on to explore one sort of ending—the frame shifter—that was a feature of many episodes of the television series The Twilight Zone. Ethical critics have tended to assume that closed endings are nearly always ethically inferior to open endings.
Jeremy G. Butler, Amanda D. Lotz
+5 more sources
Narrative Ethics, Narrative Structure
Hastings Center Report, 2014AbstractBy 1999, when Atul Gawande's essay “Whose Body Is It, Anyway?” appeared in The New Yorker, patient autonomy had largely trumped physician paternalism in American medical practice. Gawande uses the stories of actual patients to attempt his counter case for physicians' “talking patients through their decisions.” Toward the end of his essay ...
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Empirical Evidence for Narrative Structure*
Cognitive Science, 1984Three experimental tasks—spontaneous telling of a story, reading, and parsing the story—were used to determine whether empirical data reflect the narrative structure of stories and can be predicted by a plot unit analysis of the stories (Lehnert, 1981).
James Paul Gee, François Grosjean
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2017
This chapter is concerned with the narrative structure of Ari Folman's Waltz with Bashir. It reflects on the differences between Waltz with Bashir's story and plot, as defined by David Bordwell and Kristin Thompson in their seminal text Film Art: An Introduction and looks at how information is revealed to the audience. It also looks at the ten animated
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This chapter is concerned with the narrative structure of Ari Folman's Waltz with Bashir. It reflects on the differences between Waltz with Bashir's story and plot, as defined by David Bordwell and Kristin Thompson in their seminal text Film Art: An Introduction and looks at how information is revealed to the audience. It also looks at the ten animated
openaire +2 more sources
The Narrative-Communication Structure in Interactive Narrative Works
2009Interactive work on new media platforms differs from familiar work on more traditional media, such as literature, theatre, cinema and television, in terms of their narrative-communication situation. Interactive works, unlike cinematic works, allow the viewer to participate to a different extent, involving a reciprocal communication process.
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The narrative structure of psychiatric reports
International Journal of Law and Psychiatry, 2006The present contribution illustrates the findings of a research about the narrative structure of psychiatric expertise. We have analysed a sample of nine expertises, using the methodology proposed by Roland Barthes in his book S/Z, in which he applies it to Honoré de Balzac's "Sarrasine".
VERDE, ALFREDO +3 more
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