Results 31 to 40 of about 3,359 (211)
International Journal of Urban and Regional Research, EarlyView.Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley +1 more source
Studia Anglica Posnaniensia, 2015 The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
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Baroque néo-mélodique et barock’n’roll. Les identités musicales à Naples dans les années 1970
Cahiers du MIMMOC, 2010 Mon exposé vise à décrire les termes du débat sur l’identité culturelle et politique napolitaine au tourment des années soixante-dix, à travers le concept anthropologique et musical de napoletanità ou « napolétanité » élaboré par les élites musicales de ...
Gius Gargiulo
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Macau as Method: Recombinant Urbanism in Post‐Socialist China
Asia Pacific Viewpoint, EarlyView.ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
wiley +1 more source
Estudio crítico de la representación del estado de la pobreza en la televisión [PDF]
, 2014 This article offers an innovative research of the mediatic representation of poverty in mass media. This visual study, which compares Baroque Art to Neo-baroque mass media production, aims to notice similarities and differences and watch that there are ...
Contreras Medina, Fernando Ramón +1 more
core +7 more sources
, 2003 The key ingredients and influences of Carax's four films (including _Les Amants du Pont Neuf_ and _Pola X_) are examined here: Paris, pop music, flanerie and amour fou, mannerist and neo-baroque aesthetics, the "Nouvelle Vague" and contemporary ...
Daly, Fergus, Dowd, Garin
core
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
Notes on Neo-Baroque serialty, between aesthetics and mythopoeia
Between, 2016 First answer to Andrea Bernardelli's starting article about Eco and the forms of serial narration.
Eduardo Grillo
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Boston University Symphony Orchestra, January 31, 2006 [PDF]
, 2006 This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, January 31, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Night Flight," Op.
School of Music, Boston University
core
This Kinetic World: Rethinking the Grid (Neo-Baroque Calls)
Performance Philosophy, 2017 In performance research today, as in the 1960s, the pressing question is: how to do things with systems. I return to the grid to attend both sites and modes of cultural practices and techniques (technologies) that so powerfully harness and transform the
Lara D. Nielsen
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