Results 51 to 60 of about 298 (174)
Hugh Easton's Neo‐Baroque Art and the Stained‐Glass Closet in Postwar Britain*
Journal of Religious History, Volume 48, Issue 4, Page 469-487, December 2024.Hugh Ray Easton (1906–1965) was a leading mid‐twentieth century British designer of stained‐glass windows. His works combined neo‐baroque style with an aesthetic that was attuned to glamour in contemporary media such as film and homoerotic physique magazines.
Jane Brocket, Dominic Janes
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Modern Theology, Volume 40, Issue 4, Page 921-947, October 2024.Abstract In the last twenty‐five years scientific research on embodied cognition and related discussions in the philosophy of technology and science have led to two groundbreaking insights: 1. Perceptions, memories, meanings, and volitions are neither located in the brain nor reducible to intentional acts of ‘autonomous subjects’. 2. Human intelligence
Johannes Hoff
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Gragoatá, 2007 Latin-American modernism is a cultural stream with moments of intensity, lapses, periods of fervish agitation, and dissident rupture. Rebuilding its archive doesn’t mean searching for origins but choosing to identify and analyze those moments overlapped ...
Raúl Antelo
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«I’ll kill him and I’ll eat him!»: Peter Greenaway and the cinematic Trauerspiel
Between, 2017 The career of British director Peter Greenaway, now more than four decades long, has often been animated by a profound interest in what one may call the aesthetics of death.
Mattia Petricola
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Commenting on music in Juvenal's sixth satire
Renaissance Studies, Volume 38, Issue 4, Page 541-562, September 2024.Abstract The satires of Juvenal were immensely popular in Renaissance Italy, printed in various forms over 70 times in the period 1469‐1520, and five times in 1501 alone. The satires contain a wealth of references to instruments, instrumentalists, and playing practices that are frequently used in double entendres connoting lewd acts and infidelity ...
Ciara O'Flaherty, Tim Shephard
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Oltre la Generazione del Sessanta: la poesia di Susana Thénon
Lea, 2014 Susana Thénon’s literary production (Buenos Aires, 1935-1991) is situated between poetry from the 1960s and Neo-baroque innovative movements from the 1980s.
Carolina Argenta
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Neo-baroque features in the urban development of Dnipro
Almanac "Culture and Contemporaneity", 2022 The purpose of the work is to analyze the neo-baroque features of the urban development of former Katerynoslav (modern Dnipro). The research methodology involves reference to the general scientific principles of systematics, logic and critical analysis.
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La gran pantalla del mundo: la lógica barroca del capitalismo de ficción
Caracteres: Estudios Culturales y Críticos de la Esfera Digital, 2014 The aim of the present paper is to study the Baroque logic that lies beneath the visual narrative of Barack Obama’s presidency in the official account of the White House in Flickr.
Luis Vives-Ferrándiz Sánchez
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The aesthetics of speedrunning: Performances in neo-baroque space
Replay. The Polish Journal of Game Studies, 2022 Speedrunning describes activities related to the development and performance of strategies to complete games quickly, and is a valuable source of historical and technical information, while producing specialized aesthetic explorations of a videogame’s environment. Most research on speedrunning emphasizes its metagaming or documentary function. However,
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Interlitteraria, 2014 After the flowering of the epigram in Ancient Greece and Rome, greater attention to this genre was paid at the beginning of the Renaissance, and the epoch of the Baroque (the 17–18th centuries) could be called one of the brightest periods of epigram ...
Živilė Nedzinskaitė
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