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Gender, Feeling and the Making of Korean Christian Knowledge in Sengoku Japan*
Journal of Religious History, Volume 49, Issue 2, Page 141-156, June 2025.This essay explores the production of Korean Christian knowledge in Sengoku Japan by analysing narratives about a vision said to have been experienced by an evangelised Korean woman, which circulated within Jesuit correspondence from Japan and in subsequent publications.
Susan Broomhall
wiley +1 more source
Boston University Symphony Orchestra, January 31, 2006 [PDF]
, 2006 This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, January 31, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Night Flight," Op.
School of Music, Boston University
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Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Computer Graphics Forum, Volume 44, Issue 3, June 2025.Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
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Social Dissonance and Living Currency: Mattin With Klossowski
Future Humanities, Volume 3, Issue 1, May 2025.ABSTRACT Mattin's Social Dissonance addresses the split between the social reality of economic exchange determined by the commodity form, on the one hand, and the phantasm or myth of the self as an agent of its own experience and as an immediate given, on the other hand.
Patrick ffrench
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Elena Shvarts' creative work in the context of women's fiction
Opera slavica, 2020 The author of the article focuses on the prose works of Elena Shvarts (1948–2010), the key figure of the XXth century Leningrad underground of the 70s, who was known in Russia and beyond its borders primarily due to her visionary neo-baroque poetry.
Kristina Vladislavovna Voroncova
doaj +1 more source
Enemies: uneasy accompaniments in late life Ennemis : accompagnements de fin de vie difficiles
Journal of the Royal Anthropological Institute, Volume 31, Issue S1, Page 128-144, April 2025.Against a phenomenological orientation to ageing as path or course, a contrastive frame is offered around a figure termed the enemy. Four distinctive ethnographic fragments are utilized: (1) a Polish‐Jewish migrant to Canada in her late eighties who listens continually to the radio and worries over the malign forces in the world that the radio ...
Lawrence Cohen
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The perils of parody : joking with stereotypes in a postcolonial context in Cien años de soledad [PDF]
, 2016 This article examines the comic treatment of the characters in Cien años de soledad. It challenges the previous studies of the novel’s comedy, which have tended to conclude that its comic formulas are necessarily subversive and carnivalesque.
McAleer, Paul
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Die Unterrichtspraxis/Teaching German, Volume 58, Issue 1, Page 80-93, Spring 2025.ABSTRACT This article focuses on the multimodal support of L2 education when learners visit extracurricular learning sites. As part of a design‐based research project, a team of students, cooperative partners, and the researcher developed an educational game using Actionbound to enhance on‐site cultural and language education.
Tanja Fohr
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Beyond objectivism : re-reading of the historization of 90's poetry [PDF]
, 2017 El presente trabajo se propone revisar los modos de periodización de la producción poética Argentina de la década del ’90 en función del antagonismo neo-barrocos/objetivistas. Sostendremos que esa periodización se encuentra sujeta a revisión por parte de
Bogado, Fernando Emmanuel
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A (Neo) Baroque Wrinkle: Modernity, Post-Modernity and the ideological inversion of the Baroque
Gragoatá, 2009 The invention of the esthetic-cultural category of the Baroque is indebted to a constellation conceptual that the modern thought helps to codify in the extent of the European and South American cultures. The modern «returns of Baroque» consist, first, in
Vincenzo Russo
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