Results 31 to 40 of about 298 (174)
Jacques Maritain, Maurice Blondel, and the Ends of Art
Modern Theology, EarlyView.Abstract This article reconsiders Jacques Maritain's philosophical poetics by situating it within his longstanding debate with Maurice Blondel over the nature and unity of intellect. I argue that Maritain's influential defence of artistic autonomy, first articulated in Art et scolastique (1920), is ultimately unsound.
Steven Toussaint
wiley +1 more source
Notes on Neo-Baroque serialty, between aesthetics and mythopoeia
Between, 2016 First answer to Andrea Bernardelli's starting article about Eco and the forms of serial narration.
Eduardo Grillo
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
This Kinetic World: Rethinking the Grid (Neo-Baroque Calls)
Performance Philosophy, 2017 In performance research today, as in the 1960s, the pressing question is: how to do things with systems. I return to the grid to attend both sites and modes of cultural practices and techniques (technologies) that so powerfully harness and transform the
Lara D. Nielsen
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Early use of the reinforced concrete in the architecture of the Historicism in Austria–Hungary
Structural Concrete, Volume 27, Issue 3, Page 2857-2868, June 2026.Abstract The study examines the early incorporation of reinforced concrete in the architecture of Historicism in Austria–Hungary. Spanning the late 19th to early 20th centuries, the research illuminates the period's stylistic pluralism and the transformative impact of reinforced concrete.
Éva Lovra, Zoltán Bereczki
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Neo-Baroque Aesthetics and Contemporary Entertainment, de Angela Ndalianis
Anales del Instituto de Investigaciones Estéticas, 2012 ...
Peter Krieger
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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José Lezama Lima y el neo-barroco americano
Confluenze, 2010 This work revises some moments in José Lezama Lima´s work, his neo-baroque and poetic system. Considering the transformation between the topics of insularity and hybridism, the paper examine some relevant aspects concerning style as “splendor formae” in ...
Claudia Caisso
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Mining an Anthropocene in Japan: On the making and work of geological imaginaries
Transactions of the Institute of British Geographers, Volume 50, Issue 3, September 2025.Short Abstract This article addresses how the lithic and the drift might be reworked as an Anthropocene material outside of a chronostratigraphy. Revisiting the finding of a floating fern fossil at the Hashima mine, we delve into a complex array of Geological imaginaries, and undertake our own speculative work.
Deborah P. Dixon +2 more
wiley +1 more source
Bulletin of Latin American Research, Volume 44, Issue 3, Page 198-219, July 2025.Godfrey Bingley was a British industrialist who took up geology, photography and travel in the 1880s. His photographs are housed at the University of Leeds, where he worked with its Chair of Geology. This article analyses the archive's projection of the imperial geological imaginary that emanated from Britain and extended to the Americas.
Rebecca Jarman
wiley +1 more source