Results 51 to 60 of about 212,539 (241)

National Endeavour or Local Identity? : Art Nouveau Town Halls in Hungary : Strand 1: Art Nouveau Cities: between cosmopolitanism and local tradition [PDF]

, 2013
In central and Southern Hungary fast urban development began in the 19th century and accelerated at the turn-of-the-century as a striking phenomenon comparing to the urban centers in the Northern Hungary.
Székely, Miklós
core  

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Wading through black jade in Marianne Moore’s sunken cathedral: The modernist sea poem as a Deleuzian fold

Studia Anglica Posnaniensia, 2015
The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
doaj   +1 more source

Baroque néo-mélodique et barock’n’roll. Les identités musicales à Naples dans les années 1970

Cahiers du MIMMOC, 2010
Mon exposé vise à décrire les termes du débat sur l’identité culturelle et politique napolitaine au tourment des années soixante-dix, à travers le concept anthropologique et musical de napoletanità ou « napolétanité » élaboré par les élites musicales de ...
Gius Gargiulo
doaj   +1 more source

Fabricating Film—The Neo-Baroque Folds of Claire Denis

, 2017
Saige Walton
openaire   +4 more sources

Boston University Symphony Orchestra, January 31, 2006 [PDF]

, 2006
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, January 31, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Night Flight," Op.
School of Music, Boston University
core  

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Notes on Neo-Baroque serialty, between aesthetics and mythopoeia

Between, 2016
First answer to Andrea Bernardelli's starting article about Eco and the forms of serial narration.
Eduardo Grillo
doaj   +1 more source

Festines neobarrocos. El menú literario entre el exceso y el populismo (José Lezama - Laura Esquivel - Juan José Saer) [PDF]

, 2008
Este trabajo analiza tres novelas latinoamericanas (de José Lezama Lima, Laura Esquivel y Juan José Saer) publicadas en los años 1970/80 en el marco del post-boom, bajo el signo de una escritura ‘neobarroca’, y relacionadas con sendos festines ...
Ingenschay, Dieter
core   +1 more source

Wild Theater: Staging the Margins of Ideology in the Spanish Comedia [PDF]

, 2018
The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long ...
Harrison Meadows
core   +1 more source