Results 51 to 60 of about 209,628 (254)

Il neobarock’n’roll di Frank Zappa. Per un catalogo di citazioni [PDF]

Parole Rubate, 2021
Between the 1960s and 1990s, rock music was profoundly influenced by the aesthetic of the American composer and musician, Frank Zappa. The latter’s complex and irrevent quotations came from different kinds of music, which included – among other things ...
Gian Luca Barbieri
doaj  

Novo do velho: a poesia experimental dos poetas ensaístas Haroldo e Augusto de Campos

Texto Livre: Linguagem e Tecnologia, 2015
To discuss sharp poetry of sound and visual expression, which shares the sense of renewing the old, but not strays from the old, or create the new, returning to the origin, is one of the main reasons of this article.
Carolina Tomasi
doaj   +3 more sources

Temblor de Rosa Montero: un bildungsroman neobarroco [PDF]

Ogigia, 2009
En su novela Temblor (1990), Rosa Montero utiliza los mecanismos que le ofrece el género del Bildungsroman neobarroco para experimentar con las fronteras de la novela de la formación femenina.
Olga Bezhanova
doaj  

Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle

, 2019
Yuliia Volovchuk
openalex   +3 more sources

Macau as Method: Recombinant Urbanism in Post‐Socialist China

Asia Pacific Viewpoint, EarlyView.
ABSTRACT In ‘Asia as Method’, Chen Kuan‐Hsing argues for the value of an indigenous inter‐Asian approach to analysing the effects of European imperialism on the countries and citizens of Asia. This article mobilises both Chen's inter‐Asian referencing strategy and the city‐state of Macau to explore Macau's role in China's engagements with global ...
Tim Simpson
wiley   +1 more source

National Endeavour or Local Identity? : Art Nouveau Town Halls in Hungary : Strand 1: Art Nouveau Cities: between cosmopolitanism and local tradition [PDF]

, 2013
In central and Southern Hungary fast urban development began in the 19th century and accelerated at the turn-of-the-century as a striking phenomenon comparing to the urban centers in the Northern Hungary.
Székely, Miklós
core  

Wading through black jade in Marianne Moore’s sunken cathedral: The modernist sea poem as a Deleuzian fold

Studia Anglica Posnaniensia, 2015
The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
doaj   +1 more source

Baroque néo-mélodique et barock’n’roll. Les identités musicales à Naples dans les années 1970

Cahiers du MIMMOC, 2010
Mon exposé vise à décrire les termes du débat sur l’identité culturelle et politique napolitaine au tourment des années soixante-dix, à travers le concept anthropologique et musical de napoletanità ou « napolétanité » élaboré par les élites musicales de ...
Gius Gargiulo
doaj   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, EarlyView.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source