Results 61 to 70 of about 209,628 (254)

Mining an Anthropocene in Japan: On the making and work of geological imaginaries

open access: yesTransactions of the Institute of British Geographers, Volume 50, Issue 3, September 2025.
Short Abstract This article addresses how the lithic and the drift might be reworked as an Anthropocene material outside of a chronostratigraphy. Revisiting the finding of a floating fern fossil at the Hashima mine, we delve into a complex array of Geological imaginaries, and undertake our own speculative work.
Deborah P. Dixon   +2 more
wiley   +1 more source

Boston University Symphony Orchestra, January 31, 2006 [PDF]

open access: yes, 2006
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, January 31, 2006 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Night Flight," Op.
School of Music, Boston University
core  

Notes on Neo-Baroque serialty, between aesthetics and mythopoeia

open access: yesBetween, 2016
First answer to Andrea Bernardelli's starting article about Eco and the forms of serial narration.
Eduardo Grillo
doaj   +1 more source

Capturing Extraction: Geology, Photography, Industry and Institutional History in the Bingley Archive

open access: yesBulletin of Latin American Research, Volume 44, Issue 3, Page 198-219, July 2025.
Godfrey Bingley was a British industrialist who took up geology, photography and travel in the 1880s. His photographs are housed at the University of Leeds, where he worked with its Chair of Geology. This article analyses the archive's projection of the imperial geological imaginary that emanated from Britain and extended to the Americas.
Rebecca Jarman
wiley   +1 more source

Leos Carax [PDF]

open access: yes, 2003
The key ingredients and influences of Carax's four films (including _Les Amants du Pont Neuf_ and _Pola X_) are examined here: Paris, pop music, flanerie and amour fou, mannerist and neo-baroque aesthetics, the "Nouvelle Vague" and contemporary ...
Daly, Fergus, Dowd, Garin
core  

Gender, Feeling and the Making of Korean Christian Knowledge in Sengoku Japan*

open access: yesJournal of Religious History, Volume 49, Issue 2, Page 141-156, June 2025.
This essay explores the production of Korean Christian knowledge in Sengoku Japan by analysing narratives about a vision said to have been experienced by an evangelised Korean woman, which circulated within Jesuit correspondence from Japan and in subsequent publications.
Susan Broomhall
wiley   +1 more source

From intersubjectivity to interculturalism in digital learning environments [PDF]

open access: yes, 2010
The paper presents the work of the research program “Studies on\ud Intermediality as Intercultural Mediation” a joint international venture that seeks\ud to provide blended-learning -both online and in-classroom- methodologies for the\ud development of ...
Azcarate, Asuncion LopeZ-Varela
core  

José Lezama Lima y el neo-barroco americano

open access: yesConfluenze, 2010
This work revises some moments in José Lezama Lima´s work, his neo-baroque and poetic system. Considering the transformation between the topics of insularity and hybridism, the paper examine some relevant aspects concerning style as “splendor formae” in ...
Claudia Caisso
doaj   +1 more source

Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History

open access: yesComputer Graphics Forum, Volume 44, Issue 3, June 2025.
Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher   +4 more
wiley   +1 more source

Festines neobarrocos. El menú literario entre el exceso y el populismo (José Lezama - Laura Esquivel - Juan José Saer) [PDF]

open access: yes, 2008
Este trabajo analiza tres novelas latinoamericanas (de José Lezama Lima, Laura Esquivel y Juan José Saer) publicadas en los años 1970/80 en el marco del post-boom, bajo el signo de una escritura ‘neobarroca’, y relacionadas con sendos festines ...
Ingenschay, Dieter
core   +1 more source

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