Results 31 to 40 of about 70,364 (277)

Genre of non-fiction works of Serik Abikenovich and methods of teaching it

open access: yesОҚМПУ ХАБАРШЫСЫ – ВЕСТНИК ЮКГПУ, 2021
The article examines non-fiction f Serik Abikenuly and considers of his work in terms of a time of events in a plot, characters, a historical reality of toponymic names and teaching of his written works. The author of the article relied on the critical opinions of scientists-researchers of the Romance genre, demonstrating an artistic solution and a ...
Aray ZHUNDIBAYEVA, Meyirgul MURALBEK
openaire   +1 more source

How does a film remember? Cinematic memory as a living constellation in El escarabajo de oro o Victorias Hämnd

open access: yesJournal of Aesthetics & Culture, 2022
The film El escarabajo de oro o Victorias Hämnd (2014), directed by the Argentinean-Swedish duo Alejo Moguillansky and Fia-Stina Sandlund, presents clashing storylines, histories, merged film genres and conflicting aspirations within a transnational film
Niina Oisalo
doaj   +1 more source

Partly Familiar, Partly Novel Too: Fantasy and Science Fiction in Mohsin Hamid’s Exit West

open access: yesNuevas Poligrafías, Revista de Teoría Literaria y Literatura Comparada, 2020
This article proposes a reading of Hamid’s novel Exit West (2017) that pays attention to the tropes and formulas of fantasy and science fiction used to frame an account of the so-called refugee crisis. Although the novel portrays situations rooted in the
Maximiliano Jiménez
doaj   +1 more source

Bakhtin’s theory of the literary chronotope: reflections, applications, perspectives [PDF]

open access: yes, 2012
This edited volume is the first scholarly tome exclusively dedicated to Mikhail Bakhtin’s theory of the literary chronotope. This concept, initially developed in the 1930s and used as a frame of reference throughout Bakhtin’s own writings, has been ...
Bemong, Nele   +5 more
core   +1 more source

Nomadic Life on the Steppes: An Ecocinematic Exploration of Tulpan and Cave of the Yellow Dog

open access: yesHumanities, 2018
Ecocinema: (1) analyzes the role of visual media in responding to the environmental crisis; (2) has explicit interest in environmental justice; (3) includes a variety of genres and modes of production; (4) informs viewers of issues of ecological ...
Deborah Adelman
doaj   +1 more source

Making a case for interactive texts in language learning and teaching [PDF]

open access: yes, 2004
Hypertext has become a common reference point for CALL applications and hyperfiction is on the verge of becoming one too, it might be useful to briefly point out some of the major critical aspects of our current understanding of those ...
Roche, Jörg
core   +1 more source

Intimacy and the Aesthetic of “Litter” Writing:

open access: yesSanglap: Journal of Literary and Cultural Inquiry, 2021
First-person genres of life writing such as autobiography and diary at the point of their completion evoke anxiety about the ‘death of the author.’ The letter does not do so: it forms part of a correspondence and facilitates continued writing.
Krishna Kumar S
doaj  

Post-editing wildlife documentary films: a new possible scenario?

open access: yesJoSTrans: The Journal of Specialised Translation, 2016
Several studies have proven that, when machine translation followed by post-editing is used to translate general and specialised texts, there is an increase in the productivity, as the post-editing effort is lower than translating ex novo.
Carla Ortiz-Boix, Anna Matamala
doaj   +1 more source

ON ANIMALISM AND ANTHROPOMORPHISM IN FICTION

open access: yesЗаписки з романо-германської філології, 2020
The article is dedicated to the studies of animalistic narrative as one of major directions of non-standard narratives, its origin, development, anthropomorphic aspect and its connection with cognitive zoology.
О. В. Ігіна   +2 more
doaj   +1 more source

Phraseological motifs for Distinguishing Between Literary Genres. A Case Study on the Motifs of Verbal and Non-Verbal Communication

open access: yesKalbotyra, 2021
The present paper is based on the assumption that the language of the novel is characterized by a statistically relevant overrepresentation of certain linguistic units (e.g. lexemes, key words, collocations and colligations, Siepmann 2015).
Iva Novakova
doaj   +1 more source

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