Results 21 to 30 of about 803 (173)

From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution

OBOE, 2021
This essay focuses on French artist Philip Parreno's 2013-2014 Palais de Tokyo exhibition Anywhere, Anywhere, Out of this World to explore how the artist utilizes the exhibition format to produce an aesthetic imaginary concerned with intermediality ...
Mónica Amor
doaj   +1 more source

Instrument de/reconstruction as a Feministing Practice

Performance Philosophy, 2023
This article discusses the impact of instrumental and intellectual virtuosity on British Free Improvisation (BFI) from a feminist perspective. I argue that its pursuit may have contributed to the development of this genre as a masculine stronghold in ...
Maureen Wolloshin, Khabat Abas
doaj  

Venice as the Archetypal Waterscape of the 21st Century: Aleksandra Mir’s Postcards for the 53rd Biennale

OBOE, 2022
As an ephemeral, portable and disposable object, the postcard is a powerful medium for the global circulation of images and the creation of enduring collective imaginaries. This essay considers a project by artist Aleksandra Mir for the 53.
Camilla Pietrabissa
doaj   +1 more source

The Imprint of Pan-Americanism: the Bienal Americana de Grabado, 1963-1970

OBOE, 2022
  Throughout the 1960s, Santiago, Chile hosted the Bienal Americana de Grabado (American Print Biennial), a recurring Pan-American printmaking exhibition that set the stage for a regional boom in graphic arts biennials.
Maeve Coudrelle
doaj   +1 more source

Conflicts and Accommodations in the Organisation of the 6th Bienal de São Paulo: The Museum of Modern Art in New York and the United States Information Agency

OBOE, 2023
Based on the analysis of archival materials, this article addresses the United States representation at the 6th Bienal de São Paulo (1961), the last exhibition organised by the Museum of Modern Art in New York.
Daria Jaremtchuk
doaj   +1 more source

Impedance Calculations for Oboe and Oboe-like Structures [PDF]

The Journal of the Acoustical Society of America, 1972
A scheme has been developed for calculating the input impedance at the reed end of woodwind structures. The scheme is based on representing the bore and fingerholes of an instrument with lossy cylindrical sections. The log of the impedance is calculated and plotted at 10-Hz intervals over the range from 0 to 3000 Hz for each specified fingering of the ...
George Plitnik, William J. Strong
openaire   +1 more source

Editorial

OBOE, 2022
Editorial Vol. 3, No. 1.
doaj   +1 more source

Picturing Haiti: Philomé Obin, Hector Hyppolite, and the Participation of the Centre d’Art at the 4th Bienal de São Paulo (1957)

OBOE, 2023
This article analyses the participation of Philomé Obin and Hector Hyppolite, artists associated with the Centre d’Art, in Haiti’s national representation at the 4th Bienal do Museu de Arte Moderna de São Paulo in 1957.
Bruno Pinheiro
doaj   +1 more source

OBOE: an Explainable Text Classification Framework.

International Journal of Interactive Multimedia and Artificial Intelligence
Explainable Artificial Intelligence (XAI) has recently gained visibility as one of the main topics of Artificial Intelligence research due to, among others, the need to provide a meaningful justification of the reasons behind the decision of black-box ...
Raúl A. del Águila Escobar, Mari Carmen Suárez Figueroa, Mariano Fernández López   +2 more
doaj   +1 more source

The Nuovo Forno del Pane, a Possible Model for a Museo Reale

OBOE, 2021
Contemporary museology confronts us with a radical rethinking of the functions and responsibilities of the contemporary art museum which, from a place of conservation and enhancement of artistic heritage, becomes today a center of cultural production ...
Lorenzo Balbi
doaj   +1 more source