Results 61 to 70 of about 803 (173)

Sonic branding: A narrative review at the intersection of art and science

Psychology &Marketing, Volume 41, Issue 7, Page 1530-1548, July 2024.
Abstract The field of sonic branding/marketing has grown rapidly in recent years, as has commercial interest in more science‐based approaches to the practice, particularly as more brands and agencies look for qualitative and quantitative evidence to support the efficacy of sonic branding.
Charles Spence, Steve Keller
wiley   +1 more source

The Role of International Exhibitions in the Aftermath of Empire: The 1948 British Pavilion at the Venice Biennale

OBOE
For the 1948 iteration of the Venice Biennale, the first after the Second World War, a painter and a sculptor were chosen to represent Britain: J. M. W. Turner (1775 – 1851), founding figure of the English Romantic landscape genre, and Henry Moore (1898
Claudia Di Tosto
doaj   +1 more source

Illuminating Identity: Two Visions of Israeli Cultural Politics at the 2011 Venice Biennale

OBOE
At the 54th Venice Biennale in 2011, two internationally acclaimed Israeli artists, Sigalit Landau and Yael Bartana, representing Israel and Poland respectively, presented diverging expressions of their Israeli national identity whilst also engaging ...
Rachel Kubrick
doaj   +1 more source

Industrial Transnationalism at the 44th Venice Biennale: Reinhard Mucha’s Das Deutschlandgerät (The Germany Device)

OBOE
In 1990, Reinhard Mucha, together with the photographer duo Bernd and Hilla Becher, was West Germany’s representative at the 44th Venice Biennale. With his site-specific installation, Das Deutschlandgerät, Mucha drew attention to a striking parallel ...
Althea Ruoppo
doaj   +1 more source

Art and Politics at the Venice Biennale: The Portuguese Case

OBOE
The organisation of national pavilions is the Venice Biennale’s most controversial aspect. However, this feature makes the Biennale’s narrative especially intriguing, as it represents a crucial point where art and politics are inherently connected. This
Ughetta Molin Fop
doaj   +1 more source

HOUR OF THE WOLF

OBOE
Hour of the Wolf is a film documenting the backstage of The Collectors, a project curated by artists Michael Elmgreen & Ingar Dragset for the Danish and Nordic Pavilions at the 53rd International Venice Biennale of Art.
Diego Tonus
doaj   +1 more source

Raspagens das Palhetas por Oboístas Brasileiros - Um Estudo dos ajustes nas palhetas de oboé sob ação de agentes climáticos externos

Revista da Tulha, 2017
A presente pesquisa visa observar e identificar os ajustes propostos por oboístas brasileiros em palhetas de oboé preparadas para a performance e que sofrem alterações devido a ação da umidade do ar, temperatura do ambiente e altitude relativa ao nível ...
Joel Gisiger
doaj   +1 more source

Exhibition as Reflexive Transformation

OBOE, 2022
Taking Forensic Architecture's project Triple-Chaser as its point of departure the article is a theoretical exploration of the role of exhibition in contemporary aesthetic and artistic practices.
Jacob Lund
doaj  

Review of Timothy Koozin, Embodied Expression in Popular Music: a Theory of Musical Gesture and Agency (Oxford and New York: Oxford University Press, 2024). xix + 312 pp. £59.00 (hb.). ISBN 9780197692981.

Music Analysis, Volume 45, Issue 1, Page 156-165, March 2026.
wiley   +1 more source

Rather Transitional than Transnational: The “meta-pavilions” of Germany and Russia at the 1993 Venice Biennale

OBOE
The 45th International Art Exhibition held in 1993 represents a watershed in the history of the Venice Biennale. This was due to the transitional historical moment from the end of the Cold War to the onset of globalization, but also to the contribution ...
Matteo Bertele
doaj   +1 more source