Results 21 to 30 of about 9,841 (95)

Eugenio Barba e l’enigma dell’eslabón perdido

Quaderns de Filologia: Estudis Literaris, 2014
Con motivo de la reciente celebración del cincuenta aniversario del Odin Teatret, pequeña compañía internacional itinerante con base en Dinamarca y dirigida por Eugenio Barba, el autor busca una clave para comprender un fenómeno que integra de forma ...
Ferdinando Taviani
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Da ação à cena: um caminho criativo na tradição do Odin Teatret [PDF]

By sharing the experiences of the process of putting together La prima volta, which was the first phase of the solo performance The Nightmare of the Butterfly, created by this author and directed by Julia Varley (Odin Teatret), we discuss the unfolding ...
Nunes, Marilyn Clara
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A true marriage of opposites

Móin-Móin, 2020
Questions of censorship and self-censorship are confronted through Julia Varley’s experience of animating a skull mask on stilts, Mr. Peanut, and a puppet, Sheherazade. Mr.
Julia Varley
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Den kreative proces på Odin Teatret [PDF]

, 2011
Interview med Eugenio Barba, Ursula Andkjær Olsen og Thomas Bredsdorff på Odin Teatret fredag d. 18.
Christoffersen, Erik Exe, Winkelhorn, Kathrine   +1 more
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Tracce, scambi, interpretazioni ed eredità. Analisi dei legami tra il Nordisk Teaterlaboratorium e l'America latina

Antropologia e Teatro, 2016
Odin Teatret formed in 1964. This international theater group first began its activities in Norway and then moved to Denmark. In the course of its long and valuable existence, this group has established a network of contacts throughout the world and ...
Arianna Berenice De Sanctis
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Odin Teatret, uma Força Propulsora: Ur-Hamlet no Castelo de Kronborg

Revista Brasileira de Estudos da Presença, 2019
Ur-Hamlet é uma produção de Eugenio Barba apresentada em 2006 no castelo de Elsinore, Dinamarca. O Odin Teatret trabalhou em colaboração com muitos atores, bailarinos e músicos de diferentes culturas e tradições teatrais.
A Gabriela Ramis
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Odnaleźć ciało błyskawicy: O wybranych postaciach w przedstawieniach Odin Teatret

Pamiętnik Teatralny, 2017
The article aims to define theatrical characters in selected productions by Eugenio Barba: their distinctive qualities, the way they are constructed, the meanings they carry, and the functions they perform.
Magdalena Hasiuk
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Children of Silence: Reflections on Forty Years of Odin Teatret: To the secret people - the friends of the Odin

, 2021
Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under ...
Barba, Eugenio, Barba, Judy
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A Driving Force, Odin Teatret: Convergence of Diverse Performance Trainings in Ur-Hamlet

Revista Brasileira de Estudos da Presença, 2019
Ur-Hamlet is Eugenio Barba’s production performed at the Elsinore castle in Denmark in 2006. Odin Teatret worked in collaboration with many actors, dancers and musicians from diverse cultures and theatrical traditions. This paper traces the relationships
A. Gabriela Ramis
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Kabaret, det revolusjonære og poetiske

Teatervitenskapelige Studier, 2019
In Norway, the theatrical avant-garde, 1920–1950, was oriented towards cabaret dramaturgy and symbolism. There also developed a direction of political theatre, as well as tendencies towards a more poetic-theatrical kind of theatre.
Knut Ove Arntzen
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