Results 51 to 60 of about 141 (107)
Vindenes Bro: um acontecimento diante do tempo
Revista Brasileira de Estudos da Presença, 2019 O artigo apresenta parte do trabalho desenvolvido pelo grupo internacional de teatro Vindenes Bro – em português, Ponte dos Ventos –, coordenado por Iben Nagel Rasmussen, atriz do grupo teatral Odin Teatret, da Dinamarca.
Tatiana Cardoso da Silva
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Giving life to the past: Theatre Anthropology at Odin Teatret Archives
, 2021 OTA (Odin Teatret Archives) keeps many documents concerning theatre anthropology and ISTA. After a brief description of the catalogues, the article gives several examples of the varied perspectives of research that scholars, students and theatre practitioners interested in ISTA and theatre anthropology can undertake through the consultation of paper ...
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Mirella Schino, Il libro degli inventari. Odin Teatret Archives
Antropologia e Teatro, 2016 Roberto Ciancarelli
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Assaig de teatre: revista de l'Associació d'Investigació i Experimentació Teatral, 2001 openaire +1 more source
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Odin Teatret’s The Tree: performing in the interstices [PDF]
Revista Brasileira De Estudos Da Presença, 2019 Abstract: This article aims to critically engage with Odin Teatret’s most recent addition to the repertoire, The Tree (2016), in order to investigate the ways in which Barba’s dramaturgical decision-making processes create a performance field that metaphorically comments on the status of the group today whilst critiquing contemporary geo-politics ...
Jane Turner, Patrick Campbell
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Odin Teatret: Phases of a Theatrical Enclave
Peripeti, 2021Why a Theatre Laboratory? It includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium.
Ferdinando Taviani, Judy Barba
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‘A privileged universe’: Training at Odin Teatret
2012There is something of a mythology around training at Odin Teatret; it can apparently veer between extraordinarily hard and creatively liberating, both of which can be compelling to the outsider. As one of its most significant features, training has provided a technical and creative core that has helped sustain Odin Teatret well into the new century.
Ledger Adam J
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Contemporary Theatre Review, 2020
It is quite rare these days that academic publishers will commit to publishing a book which promises to be a thing of great beauty.
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It is quite rare these days that academic publishers will commit to publishing a book which promises to be a thing of great beauty.
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