Results 71 to 80 of about 11,622 (298)

Third OPERAS Newsletter

open access: yes, 2017
The third OPERAS Newsletter is now available: Third OPERAS Newsletter (December 2017) The newsletter is disseminated regularly every 2-3 months and keeps you updated about developments in the OPERAS research infrastructure, particularly about the project
Elisabeth Ernst
core  

New OPERAS Newsletter: September 2020

open access: yes, 2020
The next OPERAS Newsletter is now available: OPERAS Newsletter September 2020 The newsletter keeps you updated about the OPERAS Research Infrastructure, its ongoing projects (OPERAS-P, TRIPLE, Study on Open Access Diamond), the CO-OPERAS GoFAIR ...
Judith Schulte
core  

Persistent Alarms Confronting New Priorities: Protestants in Africa in Italian and French Catholic Magazines (1945–1962)

open access: yesJournal of Religious History, EarlyView.
Anti‐Protestantism was one of the reasons for the revival of missions during the interwar period. By the 1960s, however, Protestants were less and less often mentioned as a threat to missionary efforts, and the decline in inter‐confessional tensions was increasingly considered a relic of the past.
Giacomo Canepa
wiley   +1 more source

First OPERAS Validation Workshop, Amsterdam

open access: yes, 2017
The first OPERAS Validation Workshop took place on 26/27 June 2017 in the Central Library in Amsterdam. The workshop has concluded the design phase of the OPERAS-D project and has planned the next steps.
Elisabeth Ernst
core  

Start of OPERAS-GER: First national node of OPERAS in Germany

open access: yes, 2020
On 1 October 2020, the OPERAS-GER project has started its work within the Max Weber Foundation (also member of the OPERAS Executive Assembly). OPERAS-GER serves as the national node of the European research infrastructure OPERAS in Germany.
Elisabeth Ernst
core  

Sino‐Mexican Encounters Before the ‘Diplomatic Opening’: Exhibition Diplomacy and Grassroots Friendship in the 1960s

open access: yesHistory, EarlyView.
Abstract During the 1960s, Mexico's Institutional Revolutionary Party (PRI) embraced Chinese overtures for a commercial opening as consistent with its anti‐imperialist posture, thereby foreshadowing the diplomatic opening to China in 1972. Yet this professed ideological pluralism was eclipsed by an underlying allegiance to the United States' anti ...
YIXIN TIAN
wiley   +1 more source

Meet OPERAS new Finance & Administration Officer, Céline Bitoune

open access: yes, 2022
The OPERAS RI is pleased to announce the arrival of Céline Bitoune, the new Chief Finance & Administrative Officer of OPERAS. Céline is starting her new position today, October 3rd, to work as part of the OPERAS Coordination Team from OPERAS ...
Lore Caliman
core  

BEHIND THE FACES OF AESTHETICIZED URBANISM IN TUNXI, CHINA

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract Urban policy in China has become increasingly predicated on securing an approved aesthetic that reflects ideological campaigns and political programmes. In highlighting the role of the aesthetic in Chinese urbanism, this article argues that the party‐state draws on an aesthetic palette that places the contemporary urban landscape in a ...
Yanpeng Jiang, Paul Waley, Asa Roast
wiley   +1 more source

OPERa Study [PDF]

open access: yesKlinicka onkologie, 2013
On the whole, most European and international guidelines recommend prophylactic use of granulocyte-colony stimulating factors (G-CSFs) when the risk of chemotherapy-induced febrile neutropenia (FN) in cancer patients exceeds 20%. In patients treated with intermediate-risk chemotherapy regimens the recent EORTC guidelines recommend to consider ...
openaire   +2 more sources

The Ties That Rhyme: Duality in Symbolic and Structural Networks of Grime Music

open access: yesThe British Journal of Sociology, EarlyView.
ABSTRACT Do birds of a feather really sing together? Musicians face two competing pressures in the pursuit of success: conforming to genre norms to meet audience expectations and distinguishing themselves to attract the attention of listeners. These opposing logics may shape how artists choose their collaborators.
Tom R. Leppard, Andrew P. Davis
wiley   +1 more source

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