Results 81 to 90 of about 79,177 (283)

‘I, Me, Myself’: Selfhood and Melancholy in the Journals of Gertrude Savile (1697–1758)

Journal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines the journals of Gertrude Savile from 1727 in light of recent scholarship on early modern and eighteenth‐century melancholy. The concept had myriad associations with medicine, physiology, the imagination, and feeling, but questions remain about how melancholy during this period was considered by those outside the narrow ...
Daniel Beaumont
wiley   +1 more source

Apuntes sobre dos modos de ver telenovelas

Estudios sobre las Culturas Contemporáneas, 1988
The article provides a tought-provoking comparative analysis of the "ways of watching" soap operas between adult women from popular neighborhoods and young middle-class students in Cali, Colombia.
Sonia Muñoz
doaj  

Orfeo, Osmin and Otello: towards a theory of opera analysis [PDF]

, 2004
Three diverse operatic selections are discussed in light of a new approach to opera ...
Burton, Deborah
core  

Queen Anne's Wardrobe: Fashion, Sartorial Politics, and the Representational Strategies of the Last Stuart Queen

Journal for Eighteenth-Century Studies, EarlyView.
Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
wiley   +1 more source

The Expansion of the “Feminine” in the Brazilian Public Space: Television Soap Operas of the 1970’s and 80’s

Revista Estudos Feministas, 2007
This paper revisits the literature on media and gender studies in search of works that help to discuss the case of Brazilian soap operas. A series of references coming from different theoretical perspectives, with emphasis in different countries and ...
Esther Império Hamburger
doaj  

Construyendo la ópera nacional: A Marília de Itamaracá de L. V. De-Simoni

Resonancias, 2016
Luiz Vicente De Simoni (1782-1881) was an Italian physician who went to Rio de Janeiro in 1817, and was constantly involved in the musical and theatrical scene of the city.
Paulo M. Kühl
doaj   +1 more source

Opera Comes Alive! (1977) [PDF]

, 1977
Playwrights: Various General Director: Irene Dalis Musical Director: David Rohrbaugh Costumes: Julie Ward, April Peterson Academic Year: 1977-1978https://scholarworks.sjsu.edu/productions_1970s/1101/thumbnail ...
San Jose State University, Theatre Arts
core   +1 more source

Time opera

, 2019
Contribution pluridisciplinaire autour de l’installation sonore Time Opera de Caroline Bouissou, artiste, Villa Arson; présentée lors du Colloque Ère du temps à Nice en Juin 2018, avec un texte de Lucie Bertrand-Luthereau, écrivain, chercheur, CHERPA.
Bouissou, Caroline, Bertrand-Luthereau, Lucie   +1 more
openaire   +2 more sources

SUBLUMINAL OPERA NEUTRINOS [PDF]

International Journal of Modern Physics A, 2012
The OPERA Collaboration has announced to have observed superluminal neutrinos with a mean energy 17.5 GeV, but afterward the superluminal interpretation of the OPERA results has been refuted theoretically by Cherenkov-like radiation and pion decay. In a recent work, we have proposed a kinematical resolution to this problem.
openaire   +2 more sources

Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931

Journal for Eighteenth-Century Studies, EarlyView.
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley   +1 more source