Results 11 to 20 of about 51,702 (211)

Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740

open access: yesMusicologica Brunensia, 2014
An unprecedented upsurge of the Italian oratorio was experienced in Brno, South Moravia, in 1720s and 1730s, testified by 49 extant oratorio libretti of local origin.
Jana Spáčilová
doaj   +1 more source

Iglesia de San Jacobo, Anger

open access: yesInformes de la Construccion, 1961
Se trata de una iglesia destinada al uso doble de los fieles en general, y particularmente formando parte del monasterio de las Hermanas de la Caridad, de Anger. Está prevista para una capacidad de quinientos feligreses sentados (alumnos y visitantes),en
F. F. Haindl
doaj   +1 more source

Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux

open access: yesMusicologica Brunensia, 2014
There is no doubt that Johann Joseph Fux created his oratorios (with the exception perhaps of a "Oratorium germanicum" attributed to Fux which survived in the Kremsmünster monastery) for performances during season of lent at the Viennese imperial court ...
Thomas Hochradner
doaj   +1 more source

Die großen Oratorien-Produktionen der Tonkünstler-Societät in Wien – Kontrapunkt oder Nachfolger der höfischen Oratorienpflege des Barock?

open access: yesMusicologica Brunensia, 2014
After the death of Charles VI. music at the Hapsburg court in Vienna was gradual reduced by Maria Theresa. Also – similar to opera and theater – performances of oratorios were limited and no longer exclusively at the court and court society.
Elisabeth Fritz-Hilscher
doaj   +1 more source

Evaluation of no evidence of progression or active disease (NEPAD) in patients with primary progressive multiple sclerosis in the ORATORIO trial. [PDF]

open access: yes, 2018
ObjectiveNo evidence of progression or active disease (NEPAD) is a novel combined endpoint defined by the absence of both progression and inflammatory disease activity in primary progressive multiple sclerosis (PPMS).
Belachew, Shibeshih   +10 more
core   +3 more sources

Оратория «Иеффай» Дж. Кариссими: становление жанрового инварианта

open access: yesВестник музыкальной науки, 2014
В данной статье предлагается опыт исследования формирования жанра оратории в эпоху барокко. В вводной части работы дается характеристика социального контекста эпохи, отношения двух основополагающих концептов Вог - Человек, которые ложатся в последствии в
Шепеленко, Наталия Борисовна
doaj   +1 more source

Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760

open access: yesMusicology Today, 2021
The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
doaj   +1 more source

“Not Handel's sweet music more pleases the ear, than…”: The Music of Sound in Fielding's and Joseph Reed's Tom Jones

open access: yesEtudes Epistémè, 2016
The self-conscious narrator of Fielding’s Tom Jones successively compares himself to a restaurateur, a law-maker, a historian, a literary connoisseur (if not a critic…), an inventor, a soothsayer, a scholar, a traveller, etc. At no stage in the book does
Pierre Degott
doaj   +1 more source

Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance

open access: yesMusicologica Brunensia, 2018
This part of study deals with the oratorios performed at the holy sepulchre (sepolcri) and focuses particularly on the transfer of certain compositions or librettos and on their potential stage performances.
Jana Perutková
doaj   +1 more source

Wiener Aufführungen von Oratorien aus Ober- und dem nördlichen Mittelitalien 1665–1705 : zur höfischen Oratorienpflege unter den Habsburgern Eleonora II. und Leopold I.

open access: yesMusicologica Brunensia, 2014
More than anyone else, we have Empress Eleonora II of the ducal family Gonzaga of Mantua to thank for establishing oratorios in Vienna. After her husband, Emperor Ferdinand III, died in 1657, she founded her own orchestra, around which she spent nearly ...
Marko Deisinger
doaj   +1 more source

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