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Computers & Education, 2013
In this article we consider the ''design for orchestration'' concept and introduce a set of notions to clarify matters of concern. We propose to distinguish orchestration technology and orchestrable technology, to define orchestration as a combination of scripting and conducting, and to differentiate primo-scripting and run-time scripting.
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In this article we consider the ''design for orchestration'' concept and introduce a set of notions to clarify matters of concern. We propose to distinguish orchestration technology and orchestrable technology, to define orchestration as a combination of scripting and conducting, and to differentiate primo-scripting and run-time scripting.
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2023
In modern times William Byrd’s music has been repeatedly adapted for orchestral performance, from concise string arrangements to full-throated symphonic renderings. The motivations in crafting these pieces, as well as the ideals underlying the various orchestration techniques, vary significantly across different generations, and so a closer ...
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In modern times William Byrd’s music has been repeatedly adapted for orchestral performance, from concise string arrangements to full-throated symphonic renderings. The motivations in crafting these pieces, as well as the ideals underlying the various orchestration techniques, vary significantly across different generations, and so a closer ...
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Coordination for Orchestration
2002Based on the identification of some shortcomings of object-oriented methodology and technology to address the challenges of supporting the engineering and deployment of Web Services, we suggest that alternative approaches can be found in what we call "coordination methodology and technologies" - a set of modelling primitives, design principles, design ...
Luís Filipe Andrade +4 more
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On Orchestrators and Orchestration
2009Abstract Theatre orchestration is the art of—well, is it a creative art? Or is it the work of skilled craftspeople? This question shall be addressed again and again over the course of this book. As shall the question: what precisely does the orchestrator do?
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The Orchestration of Disengagement
The International Journal of Aging and Human Development, 1975In the clamor of many institutional and special interest “orchestras,” it is possible to lose sight of their common object of concern-human welfare and dignity. In the sphere of scientific endeavor, this problem can show itself as a mistaken attempt to separate theory from technique and practice. Disclaimers that Disengagement Theory is “only a theory,”
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Classroom orchestration: Synthesis
Computers & Education, 2013Orchestration is an approach to Technology Enhanced Learning that emphasizes attention to the challenges of classroom use of technology, with a particular focus on supporting teachers' roles. The present collection of papers on orchestration highlights broad agreement that classrooms are variable and complex and that teachers have an important role in ...
Jeremy Roschelle +2 more
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2006
Contents. Preface The Early Nineteenth Century: Beethoven's Orchestration a. Carl Czerny On the Symphony from School of Practical Composition b. Hector Berlioz Instruments Added to the Scores of Old Masters c. Richard Wagner On the Rendering of Beethoven's Ninth Symphony d.
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Contents. Preface The Early Nineteenth Century: Beethoven's Orchestration a. Carl Czerny On the Symphony from School of Practical Composition b. Hector Berlioz Instruments Added to the Scores of Old Masters c. Richard Wagner On the Rendering of Beethoven's Ninth Symphony d.
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1997
Abstract Janaček’s fair copy of the piece in the album of works written mostly during his Prague studies (1874-5) is undated, but the pieces before and after it are dated. From this Straková inferred that it was composed probably between March and June 1875, and certainly after the death of Arnost Förchtgott-Tovačovsky on 18 Dec 1874 (
Nigel Simeone +2 more
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Abstract Janaček’s fair copy of the piece in the album of works written mostly during his Prague studies (1874-5) is undated, but the pieces before and after it are dated. From this Straková inferred that it was composed probably between March and June 1875, and certainly after the death of Arnost Förchtgott-Tovačovsky on 18 Dec 1874 (
Nigel Simeone +2 more
openaire +1 more source