Results 51 to 60 of about 38,396 (207)
At the Margins of the World: The Nature of Limits in Terrence Malick’s The Thin Red Line [PDF]
, 2012 Terrence Malick’s The Thin Red Line (1998) is an anti-war film which can be read as an Orphic narrative meditating on the relationship between humans and “nature.” Many scholarly readings of the film have been attracted by analyzes that explore the ...
Lord Catherine M.
core +2 more sources
Mode‐Locked Pulse Generation in Plasmonic Lattices
Laser &Photonics Reviews, EarlyView.The plasmonic superlattices overlaid with optically pumped organic molecules produce multimode lasing due to mid‐range radiative coupling (MR‐RC, lambda) and long‐range radiative coupling (LR‐RC, 10 lambda). Right: The mode locking emerges spontaneously due to the shared excited state molecular populations which may emit photons to various different ...
Janne I. Heikkinen +6 more
wiley +1 more source
The Masterwork of the Cheese Orpheus [PDF]
, 2013 500 word story commissioned by Jeremy Akerman and Eileen Daly for their 'Flash500' online project of 32 artists ...
Dennis, Jeffrey
core
The Hour that Never Comes and the Time that Remains
Journal of Analytical Psychology, EarlyView.Abstract This essay proposes a symbolic and clinical investigation of psychic temporality through two archetypal experiences of time: the hour that never comes and the time that remains. Drawing on analytical psychology, trauma theory and aesthetic philosophy, text explores how certain forms of suffering resist chronological resolution and persist as ...
Daniel Françoli Yago
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
Curious Seventeenth-Century Painting of Music-Making in Casale Monferrato
De Musica Disserenda/
Kathryn Bosi Monteath
doaj +1 more source
De l’orphisme à la kabbale ou les fantasmagories de l’amour dans Cours sur la Rive Sauvage de Mohammed Dib [PDF]
Revue Roumaine d’Etudes Francophones, 2019 In this article, we make a parallel reflection between the meaning of love and death and the literary creation in Cours sur la rive sauvage by Mohammed Dib.
Ali LIHI
doaj
Transposition, 2013 Orpheus is a very significant character in baroque opera. This article uses the queer approach to analyse it in the works of such composers as Peri, Caccini, Monteverdi, Landi, Rossi, Louis Lully, Telemann and Gluck.
Raphaëlle Legrand
doaj +1 more source
“some kind of thing it aint us but yet its in us”: David Mitchell, Russell Hoban, and metafiction after the millennium [PDF]
, 2014 This article appraises the debt that David Mitchell’s Cloud Atlas owes to the novels of Russell Hoban, including, but not limited to, Riddley Walker. After clearly mapping a history of Hoban’s philosophical perspectives and Mitchell’s inter-textual genre-
Adorno T. W. +37 more
core +2 more sources
Giant Porphyry Copper Deposits Caused by a Slab Jamming in the Mantle Transition Zone
Terra Nova, EarlyView.ABSTRACT Two giant porphyry copper deposits in the Southern Central Andes formed during the Miocene–Pliocene transition when a bend in the subducting Juan de Fernández hotspot chain jammed in the mantle transition zone, causing mega‐scale slab‐kinking. This geometry implies mechanical resistance that caused East–West compression and eventually a thrust‐
Nipaporn Nakrong +5 more
wiley +1 more source