Results 51 to 60 of about 155 (138)
This article analyses the second collection of poems by Blanca Andreu (A Coruña, 1959), a series of apocalyptic visions that mark a spiritual journey and a meditation on the transformative and revealing power of poetry as on the prevalence of a sacred ...
Lucía Méndez Soria
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This article pays homage to the German-American painter and teacher Lyonel Feininger, one of the great masters of the Bauhaus, upon the hundredth anniversary of his first solo exhibition in Berlin in 1917. Feininger was an independent and very versatile
Fernando Linares García
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Heracles's weariness and apotheosis in Classical Greek art
In this paper, I propose a general interpretation of images showing the physical exhaustion and apotheosis of Heracles that were produced during the Classical period.
Antonio Orlando Dourado Lopes
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Ethical Concerns of the Veterinarian in Relation to Experimental Animals and In Vivo Research. [PDF]
Kiraga Ł, Dzikowski A.
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Rileggendo i Canti orfici. L’ombra di Nietzsche
Pio Colonnello
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De l’orphisme à la kabbale ou les fantasmagories de l’amour dans Cours sur la Rive Sauvage de Mohammed Dib [PDF]
In this article, we make a parallel reflection between the meaning of love and death and the literary creation in Cours sur la rive sauvage by Mohammed Dib.
Ali LIHI
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A Lively Afterlife and Beyond : The Soul in Plato, Homer, and the Orphica
The NeoPlatonist Olympiodorus claims that “Plato borrows everywhere from Orpheus”, but many of the afterlife ideas which Plato is supposed to have drawn from “Orphism” come not from the Orphica, but from the broader mythological tradition.
Radcliffe G. Edmonds III
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Genetics of vegetarianism: A genome-wide association study. [PDF]
Yaseen NR +4 more
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“Fishes leapt out from the blue water because of his sweet music”. Music, poetry and soul in Orpheus’ myth. Through the analysis of different sources, this paper highlights the main events in Orpheus’ myth: the heroes’ birth, the power of his singing on ...
Matteo Stefani
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Clemente de Alejandría dedica el fragmento comprendido entre las secciones 12 y 22 del segundo capítulo de Protréptico a la crítica de los misterios griegos.
Laura Pérez
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