Results 11 to 20 of about 314 (133)
, 2012 Ostranenie, the term for defamiliarization introduced by Russian writer and critic Victor Shklovsky, means, among other things, to see in strangeness. To see in strangeness is to participate in an illusion that is more real than real. It may be achieved by (re)presenting the surface as the substance, the play as the thing, or by examining (from exigere:
Bowker, M.H.
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Arte como procedimento, de Viktor Chklóvski
RUS (São Paulo), 2019 Segue-se uma nova tradução do ensaio Iskusstvo kak priem, de Viktor Chklóvski. Acompanhando o espírito do original, esta versão procura reconquistar, para o português, algo da estranheza do texto de 1917.
David Gomiero Molina
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The Construction of the (Convincing) Child Subject in Victorian Literature
Groundings, 2015 Drawing on genre theory and especially Shklovsky’s definition of ostranenie, or defamiliarisation, this article investigates the evolution of the construction and understanding of the child subject in Victorian literature. Engaging not only with the role
Katie Arthur
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Una archeologia della teoria dell’ostran(n)enie [PDF]
Between, 2022 Il manifesto del formalismo russo “L’arte come procedimento” di Viktor Šklovskij ruota attorno al neologismo ostranenie, tradotto in italiano come straniamento.
Annie Van den Oever
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101 anni di straniamento. Appunti per una partita a scacchi. Nota della curatrice
eSamizdat, 2019 One hundred and one years have now passed since the writing of “Art as Technique” by Viktor Shklovsky and ostranenie has become widespread in literary study and analysis around the world.
Martina Morabito
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eSamizdat, 2019 Focusing on the ideas of ostranenie and pathos, the paper explores the affinities and the divergences between the theoretical conceptions of V. Shklovsky and S. Eisenstein.
Ilaria Aletto
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Playing Games with Shklovsky, Brecht, and Boal: Ostranenie, V-Effect, and Spect-Actors as Analytical Tools for Game Studies. [PDF]
Game Stud., 2017 The present article provides a critical introduction to concepts of estrangement. After referring scholarly debates about origins, mutual relations, and legacies of concepts such as Viktor Shklovsky’s ostranenie, Bertolt Brecht’s V-effect, and Augusto Boal’s spect-actor, I critically review earlier applications of these concepts in game studies and ...
Pötzsch, Holger
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Sinister cine-scape: an ostranenie of the everyday through the films of Alfred Hitchcock
, 2012 Formal education is primarily based upon learning about space through static two-dimensional representations, while landscape architecture responds to the ever-changing spatial and temporal conditions of the material world. The film medium, with its illusion of movement and three-dimensionality, offers an easily accessible antidote to this conundrum ...
Wojnarski, Kelly
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L’ESTRANEITÀ DEL FAMILIARE: GROTESK, OSTRANENIE, PERTURBANTE [PDF]
, 2014 Questo articolo si prefigge di mettere in luce il legame concettuale che intercorre tra il fenomeno del “perturbante” – analizzato da Freud nel celebre saggio Das Unheimliche (1919) – e due nozioni di grande rilievo presenti nel panorama cul¬turale russo del primo Novecento: il grottesco e lo straniamento (ostranenie).
Raskina, Raisa
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Ostranênie e a pedagogia de Eisenstein
RUS (São Paulo), 2020 O presente artigo retoma a definição do conceito de ostraniénie, de Viktor Chklósvski, a fim de explorar a sua relação com a noção de imagem artística investigada nas aulas de Direção Cinematográfica ministradas por Serguei Eisenstein no Instituto ...
Erivoneide Barros
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