Results 31 to 40 of about 314 (133)
Il Führer conciato per le feste
Mantichora, 2020 The 20th century has taught us that there are several practises of mortifying a tyrant’s body. Adolf Hitler’s corpse was made to disappear, probably because it was believed that his lifeless body couldn’t be shown without its charismatic power ...
Francesco De Cristofaro
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Uma estranha descoberta: leitura do conto “A menor mulher do mundo”, de Clarice Lispector
Literatura e Sociedade, 2015 O presente artigo pretende analisar o conto “A menor mulher do mundo”, de Clarice Lispector, à luz do ensaio “O estranho”, de Freud. A ideia é compreender as relações de dominação que se estabelecem entre um explorador francês e sua insólita descoberta ...
Yudith Rosenbaum
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Une étrangeté inversée: un regard sur le théâtre contemporain
Literatura e Sociedade, 2015 Alors que le théâtre contemporain se trouve accusé de dénaturation, par plusieurs types de spectateurs (critiques savants, amateurs occasionnels), l’examen de son évolution historique au XXe siècle révèle que les influences réciproques entre les arts lui
Francoise Dubor
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De la literatura, el pudor y la verdad. Sobre Ricardo Piglia
Cuadernos LIRICO, 2019 In Los diarios de Emilio Renzi, Ricardo Piglia sets in motion "a poetics of ellipsis and distance". The use of the technique that the Russian formalists called ostranenie originates here a low tone, which avoids shrillness.
Adriana Rodríguez Pérsico
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The Russian Review, Volume 85, Issue 2, Page 197-216, April 2026.Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
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Ostranenie, “The Montage of Attractions” and Early Cinema's “Properly Irreducible Alien Quality”
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Chklóvski e Tolstói: uma moral do estranhamento
RUS (São Paulo), 2019 Quando em seu ensaio “A arte como procedimento” Viktor Chklóvski usou alguns trechos de Liev Tolstói como exemplo do que ele próprio definiu como “processo de estranhamento” (ostranenie), tendo em mente certo recurso estilístico muito característico do ...
Davi Lopes Villaça
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Getting ethnographic “wrongs” right: Continuity, reflexivity, and possibility in fieldwork dilemmas
Anthropology and Humanism, Volume 50, Issue 2, December 2025.Abstract When the hypotheses and presumptions underlying an ethnographic fieldwork project are found to be “wrong,” why can this be productive for research? By tying my autoethnographic narrative of having my doctoral research seemingly fall apart to anthropological conversations about reflexivity, this essay explores how the continuity of ethnography ...
Dylan H. O'Brien
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History as an April Fool’s Joke. Defamiliarising Collective Memory in Rabih Mroué’s So Little Time
Meno Istorija ir Kritika, 2018 In the article, Rabih Mroué’s performance-lecture So Little Time (2017) is discussed as an example of counterfactual mobilization for the purposes of political critique in contemporary art and theatre.
Półtorak Arkadiusz
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The Russian Review, Volume 83, Issue 3, Page 378-398, July 2024.Abstract Early Soviet society featured clear nutrition guidelines and a robust plan for streamlined logistics in food processing, distribution, and consumption, all of which was aimed at building a stronger state through a virtuous transformation of calories into labor power. Such rhetoric appeared even in children’s illustrated books, such as Vladimir
Elena Fratto
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