Results 31 to 40 of about 383 (111)

De la literatura, el pudor y la verdad. Sobre Ricardo Piglia

Cuadernos LIRICO, 2019
In Los diarios de Emilio Renzi, Ricardo Piglia sets in motion "a poetics of ellipsis and distance". The use of the technique that the Russian formalists called ostranenie originates here a low tone, which avoids shrillness.
Adriana Rodríguez Pérsico
doaj   +1 more source

Metabolic Modernities: Digestion, Energy Transformations, and the Making and Unmaking of the World in Early Soviet Literature

The Russian Review, Volume 83, Issue 3, Page 378-398, July 2024.
Abstract Early Soviet society featured clear nutrition guidelines and a robust plan for streamlined logistics in food processing, distribution, and consumption, all of which was aimed at building a stronger state through a virtuous transformation of calories into labor power. Such rhetoric appeared even in children’s illustrated books, such as Vladimir
Elena Fratto
wiley   +1 more source

Chklóvski e Tolstói: uma moral do estranhamento

RUS (São Paulo), 2019
Quando em seu ensaio “A arte como procedimento” Viktor Chklóvski usou alguns trechos de Liev Tolstói como exemplo do que ele próprio definiu como “processo de estranhamento” (ostranenie), tendo em mente certo recurso estilístico muito característico do ...
Davi Lopes Villaça
doaj   +1 more source

History as an April Fool’s Joke. Defamiliarising Collective Memory in Rabih Mroué’s So Little Time

Meno Istorija ir Kritika, 2018
In the article, Rabih Mroué’s performance-lecture So Little Time (2017) is discussed as an example of counterfactual mobilization for the purposes of political critique in contemporary art and theatre.
Półtorak Arkadiusz
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The Q is Chaos: Freedom 4 Artists is Ostranenie [PDF]

In this thesis, I suggest that ostranenie is the artistic equivalent of chaos and it can be used by artists to grab and maintain the perception of an audience through the disruption of norms or pre-established conditions.
Alba-Dominguez, Cristian J.
core   +1 more source

Screen Memories: A Video Essay on Smultronstället / Wild Strawberries

Cinergie, 2018
Screen Memories is a short split-screen video about Ingmar Bergman’s 1957 film Smultronstället / Wild Strawberries and its connections with the Freudian concept of ‘screen memories’ that began as a piece of free-associational audiovisual exploration ...
Catherine Grant
doaj   +1 more source

« A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov

Revue LISA, 2009
According to Nabokov, the writer’s one and only passport is his style, which allows him to cross and especially transcend any geopolitical boundary. For all that, strangers and foreigners are frequently present in his work.
Lara Delage-Toriel
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Intet nyt under solen

Akademisk Kvarter, 2019
  Aestheticization is nothing new under the sun. Potentially, all texts – even instructional ones – may function in an aesthetic way, because aesthetics relate to the expressive dimension of messages and all verbal messages consist of this dimension ...
Christian Jantzen
doaj   +1 more source

O poetyce gatunku science fiction

Creatio Fantastica, 2018
The first Polish translation of one of the best-known articles on the poetics of science fiction, considered nowadays a must-read reference in the field.
Darko Suvin
doaj   +1 more source