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RIHA Journal, 2020 The article sets out to investigate the fundamental problem for the methodology of postwar German art history, namely, the unavoidable fusion of two markedly different perspectives, i.e., those of East and West Germany, into a coherent narrative.
Justyna Balisz-Schmelz
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Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials [PDF]
Journal of Art Historiography, 2023 The article deals with Franz Wickhoff´s influence on Max Dvořák´s formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’.
Tomáš Murár
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La storia dell’arte dopo la fine della storia dell’arte
Rivista di Estetica, 2021 Danto’s philosophy of history of art has undergone several transformations. It is possible to distinguish three “phases”: in the first, history is considered an a posteriori construction (see Analytical Philosophy of History).
Luca Marchetti
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Tahiti, 2021 This article discusses how materialist philosopher Manuel Delanda’s “assemblage theory” could be of use for art studies. I begin by situating what I term art studies in relation to art history and comment on the differences.
Dan Karlholm
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‘Canonization in early twentieth-century Chinese art history’ [PDF]
Journal of Art Historiography, 2014 Since the 1980s, the discussion of canons has been a dominant theme in the discipline of Western art history. Various concerns have emerged regarding ‘questions of artistic judgment’, ‘the history genesis of masterpieces’, ‘variations in taste’, ‘the ...
Guo Hui
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The Rise and Fall of the “Clerks”: British Art History, 1950–1970
British Art Studies, 2023 This article analyses the debates about the professionalisation of the study of British art between about 1950 and 1970, focusing predominantly on the activities of the Paul Mellon Foundation for British Art, and its attempts to establish “foundations ...
Hans C. Hönes
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British Art Studies, 2021 What does it mean to correlate art and art history with “nation”? At the time of publication, the full impact and effects of the United Kingdom’s withdrawal from the European Union are just beginning to manifest. In this feature, we are interested in the
Jenny Gaschke +11 more
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Semantic diffuseness in Art History terminology
Дискурс профессиональной коммуникации, 2020 The aim of the research is to determine the degree of influence of semantic diffuseness on the strength of the Art History terminology system. This paper examines topical issues of Art History. At the moment, the development of diffuseness of Art History
P. E. Gapienko
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Shmit at Leningrad University at the turn of the 1920s and 1930s
Ученые записки Казанского университета: Серия Гуманитарные науки, 2021 This paper discusses an episode from the academic biography of Fyodor Ivanovich Shmit (1877–1937), a prominent Russian art historian and art theorist, museologist. The history of F.I.
V.G. Ananiev
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