Results 11 to 20 of about 182,523 (265)
Performative Geschichte, Apódeixis und das Problem der Fürsprache
This text foregrounds performativity as entailed in both academic and artistic approaches to writing or depicting history. Discussing the recent performative and historiographical “turns” in art as complementing and reinforcing each other, the term ...
Eva Kernbauer
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Polish Art of/on/in the Shadow of the Holocaust
In this text, I will reflect on how Polish art history can better account for work made during the Holocaust or addressing this historical event. This article explores the profound problem still troubling Poland’s “out of joint” art history by virtue of ...
Izabela Kowalczyk
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0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels
The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Max Dvořák. Dvořák as a successor of Alois Riegl and Franz Wickhoff at the art history department of the University of Vienna is considered the promoter of ...
Tomáš Murár
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Études cinématographiques et histoire de l’art
The article deals with the interrelationship between cinematographic studies and art history, with a particular focus on cinematographic pictorialism, cinema’s role as a ‘reader’ of paintings, the application of cinematographic methodology to art history,
François Albera
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Through the analysis of one erroneous piece of art criticism, an essay by Goethe that re-imagines a lost ancient sculpture, I demonstrate the difficulty that the discipline of art history has with conceptualizing the experience of art making and how one ought to respond to it.
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In the example of research at the Museum Rietberg, the history of the art market for Chinese art from the provenance perspective presents itself as a history of collections. The article will demonstrate that an investigation into early art collectors can
Esther Tisa Francini +1 more
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Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes [PDF]
This research is a critique of “How to use your eyes” by James Elkins. He is an important theorist of art historiography with a critical view of traditional theories about art history. The book's subject is "observation". Elkins carefully observes a wide
Jamal Arabzadeh
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Inside Out: The Meming of Art and the Art of Meming
This paper explores memes in a dialogue with artwork. In memes, it seeks “classical/traditional” artworks of the “standardized/analog” history of art, namely, the chosen works from the canon.
Ana Knežević
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Art History’s Other Global Moment: Chicago, 1948
This essay focuses attention on the little-known third edition from 1948 of Helen Gardner's art history survey text, Art Through the Ages, in which Gardner (1878–1946), a University of Chicago-trained art historian and professor of art history at the School of the Art Institute of Chicago, mounted what may have been the first attempt to write a ...
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