Results 31 to 40 of about 2,589,104 (306)

Pigment analysis by Raman microscopy and portable X-ray fluorescence (pXRF) of thirteenth to fourteenth century illuminations and cuttings from Bologna [PDF]

open access: yes, 2016
Non-destructive pigment analysis by Raman microscopy (RM) and portable X-ray fluorescence (pXRF) has been carried out on some Bolognese illuminations and cuttings chosen to represent the beginnings, evolution and height of Bolognese illuminated ...
Chaplin, Tracey D.   +3 more
core   +1 more source

Linien und Umwege

open access: yes21: Inquiries into Art, History, and the Visual, 2021
Lines and Detours. Byzantium, Nation, and the Canon of Art History in the German-Speaking World The article explores the marginalization of Byzantium within the canon of art history, focusing on the German-speaking tradition.
Armin F. Bergmeier
doaj   +1 more source

Spuścizna niemiecka, kierunek Polski. Zbiór reprodukcji Seminarium Historii Sztuki na Uniwersytecie Poznańskim (1919–1939)

open access: yesArtium Quaestiones, 2022
In 1919, the authorities of the newly established University of Poznan took over the buildings and movable property of the German Royal Academy, which had functioned in Poznan between 1903 and 1918. The Seminar of Art History, which was organised at the
Kamila Kłudkiewicz
doaj   +1 more source

L’Imagination au pouvoir: historia sztuki w czasach kryzysu lat 60./70

open access: yesArtium Quaestiones, 2019
The present paper is reminiscence and an attempt to reconstruct the intellectual heritage of art history as it was practiced at the University of Poznań in the late 1960s and throughout the 1970s in the context of new developments in cultural theory and
Andrzej Turowski
doaj   +1 more source

Primitivism and the other. History of art and cultural geography

open access: yesGeoJournal, 2004
The article advocates an articulation of cultural geography and art history, and in this perspective focuses on the analysis of the primitivist movement and particularly on Gauguin's work and personal itinerary. Primitivism introduced artefacts of ‘primitive’ people into the history of Western art and signalled a change in the relationship between the ...
openaire   +3 more sources

Seeing and tasting the divine: Simeon Solomon’s homoerotic sacrament [PDF]

open access: yes, 2010
Book synopsis: Should sight trump the other four senses when experiencing and evaluating art? Art, History and the Senses: 1830 to the Present questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the ...
Janes, Dominic
core  

Revealing the structure of land plant photosystem II: the journey from negative‐stain EM to cryo‐EM

open access: yesFEBS Letters, EarlyView.
Advances in cryo‐EM have revealed the detailed structure of Photosystem II, a key protein complex driving photosynthesis. This review traces the journey from early low‐resolution images to high‐resolution models, highlighting how these discoveries deepen our understanding of light harvesting and energy conversion in plants.
Roman Kouřil
wiley   +1 more source

Theory reception: Panofsky, Kant, and disciplinary cosmopolitanism [PDF]

open access: yesJournal of Art Historiography, 2009
One of the most prominent philosophical legacies in the historiography of art history is Erwin Panofsky’s debt to Immanuel Kant. Structurally and thematically, Panofsky imports philosophy, embodied by Kant, into the body of the younger discipline. I will
Mark A. Cheetham
doaj  

L’Imagination au pouvoir: Art History in the Times of Crisis, 1960s – 1970s

open access: yesArtium Quaestiones, 2019
The present paper is reminiscence and an attempt to reconstruct the intellectual heritage of art history as it was practiced at the University of Poznań in the late 1960s and throughout the 1970s in the context of new developments in cultural theory and
Andrzej Turowski
doaj   +1 more source

Pengertian Seni sebagai Pengantar Kuliah Sejarah Seni Rupa

open access: yesHumaniora, 2012
Until these days, for most people art is something that is abstract, hard to understand, and beyond their capability to understand. Every people asked about art will have their own opinion or definition about art, and these definitions are various to ...
John Felix
doaj   +3 more sources

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