Documenta Praehistorica, 2009 This article is a review of Slovenian Palaeolithic ‘art’ objects. Most were found quite some time ago and were described as ‘art’ by their excavators, who undertook no further examination and authentication. More recent finds, like the Mousterian ‘flute’,
Simona Petru
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How Do We Explain ‛Autistic Traits’ in European Upper Palaeolithic Art? [PDF]
Open Archaeology, 2018 Traits in Upper Palaeolithic art which are also seen in the work of talented artists with autism, including most obviously an exceptional realism, remain to be explained. However any association between the famously evocative animal depictions created in
Spikins Penny +2 more
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The deep past in the virtual present: developing an interdisciplinary approach towards understanding the psychological foundations of palaeolithic cave art [PDF]
Scientific Reports, 2023 Virtual Reality (VR) has vast potential for developing systematic, interdisciplinary studies to understand ephemeral behaviours in the archaeological record, such as the emergence and development of visual culture.
Izzy Wisher +2 more
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Virtual Archaeology Review, 2022 Highlights: • Despite being a transcendental cultural manifestation in the history of humanity, there are hardly any open-access virtual repertoires of Palaeolithic art.
Miguel García-Bustos +3 more
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The nature and chronology of human occupation at the Galerías Bajas, from Cueva de Ardales, Malaga, Spain [PDF]
PLoS ONE, 2022 The Cueva de Ardales is a hugely important Palaeolithic site in the south of the Iberian Peninsula owing to its rich inventory of rock art. From 2011–2018, excavations were carried out in the cave for the first time ever by a Spanish-German research team.
José Ramos-Muñoz +20 more
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The reception of Palaeolithic art at the turn of the twentieth century: between archaeology and art history [PDF]
Journal of Art Historiography, 2015 In this paper I focus on the role of art history in early conceptualizations of Palaeolithic art (1860-1930). In the decades around 1900, the formal analysis of Palaeolithic representations was highly inspired by models, theories and concepts first ...
Oscar Moro Abadía
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The “Archeology of the Light”: A multiproxy, interdisciplinary and experimental approach to Paleolithic subterranean activities. [version 2; peer review: 1 approved, 2 approved with reservations] [PDF]
Open Research EuropeBackground This article presents the A-LIGHT project and its main results. The "Archeology of the Light" (A-LIGHT) project aims to improve our knowledge of Palaeolithic cave activities through an interdisciplinary methodology applied to rarely-studied ...
Mª Ángeles Medina-Alcaide
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Unravelling the skills and motivations of Magdalenian artists in the depths of Atxurra Cave (Northern Spain) [PDF]
Scientific Reports, 2023 Atxurra cave has a decorated assemblage composed of more than a hundred engraved animal depictions. All of them are located in deep parts of the cave and most of them are hidden in raised areas, away from the main path.
Diego Garate +11 more
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Art, time and thought: A formal study comparing Palaeolithic and postglacial art [PDF]
World Archaeology, 1993 [EN] This paper considers a number of contrast between Palaeolithic art and Levantine postglacial art and suggests that these are the expression of different conceptions of time and space. They can be related to the socio-economic context in which the art was created. Each style of painting embodies a distinctive approach to time, the natural world and
Criado-Boado, Felipe +1 more
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Pre-Solutrean rock art in southernmost Europe: Evidence from Las Ventanas Cave (Andalusia, Spain). [PDF]
PLoS ONE, 2018 The south of Iberia conserves an important group of Palaeolithic rock art sites. The graphisms have been mostly attributed to the Solutrean and Magdalenian periods, while the possibility that older remains exist has provoked extensive debate.
Miguel Cortés-Sánchez +15 more
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