L’art pariétal, objet virtuel de recherche ?
Les Nouvelles de l’Archéologie, 2019 Digital technologies are applied in the study of Palaeolithic decorated caves and shelters with increasing success because they offer a 3D rendering of rock walls, visually attractive and accessible to all. The 3D associated with image processing is also
Carole Fritz, Gilles Tosello
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Between the ideal and the reality: The human body through the eyes of European artists [PDF]
, 2015 The human body has always been one of the most important subjects for European artists. But the way it is displayed in art has varied in different epochs.
WAŁEK, Janusz
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Excavations and the afterlife of a professional football stadium, Peel Park, Accrington, Lancashire: towards an archaeology of football [PDF]
, 2012 Association football is now a multi-billion dollar global industry whose emergence spans the post-medieval to the modern world. With its professional roots in late 19th-century industrial Lancashire, stadiums built for the professionalization of ...
Ayto E. +19 more
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Cave Palaeolithic of the Ural Mountains – a review
Boreas, Volume 55, Issue 1, Page 4-28, January 2026.The Ural Mountains are of fundamental importance for studying early human migrations along the geographical limits between Europe and Asia. Geological processes and past climates gave rise to numerous caves, mostly in Palaeozoic carbonate formations.
Jiri Chlachula
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On the Manifold Meanings of Aesthetic Experience: Lonergan and Chrétien on Art
The Heythrop Journal, Volume 67, Issue 1, Page 33-52, January 2026.Abstract I argue that Jean‐Louis Chrétien’s account of beauty and Bernard Lonergan’s account of art and aesthetic experience complement one another and, when taken together, offer an illuminating philosophical account of the ontological, ethical, intellectual, and transcendent aspects of art and aesthetic experience.
Gregory P. Floyd
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Technologie 3D et relevé d’art pariétal : une application inédite dans la grotte de Marsoulas
In Situ, 2012 The third dimension always constitutes a major difficulty in the study of the Palaeolithic cave art. At the Marsoulas cave (Haute-Garonne), a 3D scan operation was undertaken in keeping with various constraints in terms of time and space which the site ...
Carole Fritz +4 more
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Response to Comment on ‘Cave Palaeolithic of the Ural Mountains—a review’
Boreas, Volume 55, Issue 2, Page 604-608, April 2026.
Jiri Chlachula
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The challenge of the abstract mind: symbols, signs and notational systems in European prehistory
Documenta Praehistorica, 2005 Since the earliest manifestations of symbolic activity in modern humans (Homo sapiens sapiens) in the Upper Palaeolithic, there is evidence for two independent cognitive procedures, for the production of representational images (naturalistic pictures or ...
Harald Haarmann
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Open Archaeology, 2018 This paper presents acts of fluting as tangible expressions of activities performed by Palaeolithic communities of practice, in which situated learning was part of the social transmission of knowledge and communities of practice include children, men and
Janik Liliana, Cooney Williams Jessica
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L’art mobilier du Paléolithique Supérieur en Europe occidentale et méridionale
Arheologia Moldovei, 2016 Our approach focuses on the art of the Upper Palaeolithic portable art in Western and Southern Europe. This geographical area covers roughly the current territory of Italy, Spain, Portugal, France and Belgium.
Valentin-Codrin Chirica
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