Results 71 to 80 of about 1,907 (212)
The Upper Palaeolithic rock art in the Tagus Valley Rock Art Complex (context, style and chronology) [PDF]
, 2022 Esta dissertação apresenta um quadro metodológico de estudo das gravuras rupestres do Vale do Ocreza, que pertence ao Complexo de Arte Rupestre do Tejo de Portugal.
Δανελάτος, Διονύσιος
core
HeritagePalaeolithic engraved portable art provides a valuable record for investigating the technical aspects of Palaeolithic graphic production. In this study, we analyse an engraved portable art object from the Epigravettian sequence of Grotta Paglicci ...
Simona Arrighi +6 more
doaj +1 more source
Prima e al di là dell’arte: origine dei segni e delle figurazioni nell’arte paleolitica
Aisthesis, 2013 Figurative experience, as a codified system of images, emerges in Europe about 40.000 years ago. Together with the development of a figurative system, Homo sapiens acquired his modern cognitive architecture: an entirely articulated language, as well ...
Fabio Martini
doaj +3 more sources
El Futuro del Pasado, 2010 This paper aims to analyse the parietal palaeolithic graphic designs from an archaeological perspective, leaving aside the aesthetic ties of traditional historiography.
Clara Hernando Álvarez
doaj
L’art pariétal, objet virtuel de recherche ?
Les Nouvelles de l’Archéologie, 2019 Digital technologies are applied in the study of Palaeolithic decorated caves and shelters with increasing success because they offer a 3D rendering of rock walls, visually attractive and accessible to all. The 3D associated with image processing is also
Carole Fritz, Gilles Tosello
doaj +1 more source
The European Upper Palaeolithic.
, 2014 Today, five broad stages can be discerned over the 35 000 years of the European Upper Palaeolithic; the Initial, Early, Mid, Late and Terminal Upper Palaeolithic. Although it is unclear whether some assemblages of the Initial Upper Palaeolithic were made
Pettitt, P.
core +1 more source
The challenge of the abstract mind: symbols, signs and notational systems in European prehistory
Documenta Praehistorica, 2005 Since the earliest manifestations of symbolic activity in modern humans (Homo sapiens sapiens) in the Upper Palaeolithic, there is evidence for two independent cognitive procedures, for the production of representational images (naturalistic pictures or ...
Harald Haarmann
doaj +1 more source
Topics in Cognitive Science, Volume 18, Issue 2, April 2026.Abstract The majority of Pleistocene figurative cave art in Western Europe consists of line drawings depicting large herbivores from the side view, and outlines were sometimes abbreviated to the head‐neck‐dorsal line. It is often assumed that the side view was used because it facilitates animal recognition compared to other views, and that abbreviated ...
Murillo Pagnotta +4 more
wiley +1 more source
, 2010 This thesis represents a site-specific, holistic analysis of faunal assemblage formation at four key Palaeolithic sites (Boxgrove, Swanscombe, Hoxne and Lynford).
Smith, G.M.
core
Technologie 3D et relevé d’art pariétal : une application inédite dans la grotte de Marsoulas
In Situ, 2012 The third dimension always constitutes a major difficulty in the study of the Palaeolithic cave art. At the Marsoulas cave (Haute-Garonne), a 3D scan operation was undertaken in keeping with various constraints in terms of time and space which the site ...
Carole Fritz +4 more
doaj +1 more source